The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 443
Madame Cezanne à la jupe rayée
c.1877
Alternate titles: Bildnis der Gattin des Künstlers; Frau in rotem Fauteuil (Die Frau des Künstlers); La signora Cézanne; Madame Cézanne; Madame Cézanne dans un fauteuil rouge; Madame Cézanne en el sillón rojo; Madame Cézanne in a Red Armchair; Portrait de Madame Cézanne; Portrait de Madame Cézanne au fauteuil rouge; Portrait de Mme Cézanne; Portrait of Mme Cezanne; Ritratto della signora Cezanne
Rewald (324): c.1877; Venturi revised: c.1877; Venturi (292): c.1877; Cooper: 1877
Oil on canvas
28 1/2 x 22 in. (72.4 x 55.9 cm)
Provenance
Exhibition History
Salon d'Automne, Grand Palais, Paris, Rétrospective d'oeuvres de Cézanne, October 1–22, 1907, no. 53, as Madame Cézanne, lent by Fabbri.
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 19, as Madame Cézanne, lent by E. Fabbri.
Biennale, Venice, Italy, Mostra Individuale di Paul Cézanne, April 15–October 31, 1920, no. 7, (dated 1875), as La signora Cézanne, lent by Fabbri.
Kunsthalle, Basel, Switzerland, Cézanne, February 6–March 6, 1921, no. 32, as Portrait de Madame Cézanne, lent by Fabbri.
Pennsylvania Museum of Art, Philadelphia, Cézanne, November 10–December 10, 1934, no. 14, ill., (dated c. 1883), as Portrait de Madame Cézanne, lent by Paine.
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 46, pl. IV (dated c. 1878–80), as Madame Cezanne à la jupe rayée, lent by R.T. Paine.
Museum of Fine Arts, Boston, Paintings Drawings Prints from Private Collections in New England, June 9–September 10, 1939, no. 10, pl. VII.
Marie Harriman Gallery, New York, Cézanne: Centennial Exhibition, November 7–December 2, 1939, no. 5, (dated c.1877), as Madame Cézanne dans un fauteuil rouge, lent by Paine.
Wildenstein Galleries, New York, Modern French Painting, April 11–25, 1962, no. 8, ill.
The Metropolitan Museum of Art, New York, 100 Paintings from the Boston Museum, May 29–July 26, 1970, no. 62, ill.
Phillips Collection, Washington, D.C., Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection, February 27–March 28, 1971, no. 5. Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
Museum of Fine Arts, Boston, Impressionism, June 15–October 14, 1973.
Art Gallery of New South Wales, Sydney, Modern Masters: Manet to Matisse, April 10–May 11, 1975, no number, ill. Traveled to: National Gallery of Victoria, Melbourne, Australia, May 28–June 22, 1975; The Museum of Modern Art, New York, August 4–September 28, 1975.
Museum of Fine Arts, Boston, High Museum of Art, Atlanta, Corot to Braque: French Paintings from the Museum of Fine Arts, Boston, April 21–June 17, 1979, no. 44, ill., as Madame Cézanne in a Red Armchair. Traveled to: Denver Museum of Art, Denver, February 13–April 20, 1980; Philbrook Art Center, Tulsa, Oklahoma, May 25–July 27, 1980; Phoenix Art Museum, Phoenix, September 20–November 23, 1980.
Kunsthalle, Tübingen, Germany, Cézanne Gemälde, January 16–May 2, 1993, no. 14, ill.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 47, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
State Hermitage Museum, St. Petersburg, Russian Federation, Cézanne and the Russian Avant-Garde, August 9–September 24, 1998, no. 8, ill. Traveled to: Pushkin Museum of Fine Arts, Moscow, October 15–November 18, 1998 (exhibition catalogue in Russian; text by Albert Kostenevich).
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 3, ill., as Madame Cezanne à la jupe rayée. Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
Museum Folkwang, Essen, Germany, Cézanne: Aufbruch in die Moderne, September 18, 2004–January 16, 2005, listed p. 231, ill. p. 33, as Madame Cezanne à la jupe rayée.
Palazzo Strozzi, Florence, Italy, Cézanne a Firenze: Due collezionisti e la mostra dell'impressionismo del 1910 [In English:Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism], March 2–July 29, 2007, fig. 6, pp. 96–97, ill., 259, as Madame Cezanne à la jupe rayée.
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, pl. 60, p. 234 and cover, as Madame Cezanne à la jupe rayée.
Musée du Luxembourg, Paris, Cézanne et Paris, October 12, 2011–February 26, 2012, no. 75, ill., p. 117, as Madame Cezanne à la jupe rayée, lent by MFA, Boston.
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 63, ill.
Museum of Fine Arts, Budapest, Hungary, Cézanne and the Past: Tradition and Creativity, October 25, 2012–February 17, 2013, no. 48, ill.
The Metropolitan Museum of Art, New York, Madame Cézanne, November 19, 2014–March 15, 2015, n.n., pl. 4, as Madame Cézanne in a Red Armchair, lent by Museum of Fine Arts, Boston.
Musée d'Orsay, Paris, Cézanne Portraits, June 13–September 24, 2017, no. 22, ill.
Musée d'Orsay, Paris, Cézanne Portraits, June 13–September 24, 2017, no. 7.1, ill. Traveled to: National Portrait Gallery, London, October 26, 2017–February 11, 2018; National Gallery of Art, Washington, D.C, March 25–July 1, 2018.
Museum of Fine Arts, Boston, Cézanne: In and Out of Time, November 11, 2020–February 8, 2021, MFA Boston Collection.
Museum of Fine Arts, Boston, Boston, Paul Cézanne Influence, March 13–October 17, 2021.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 35, ill. Traveled to: Tate Modern, London, October 6, 2022–March 12, 2023.
Published References
Rilke, Rainer Maria. "Letter to Clara Rilke, Paris, Oct. 22, 1907." In Briefe über Cézanne. Wiesbaden: Insel, 1952, pp. 38–40.
Paul Cèzanne - Mappe. Munich: R. Piper & Co., 1912, pl. 12, as Bildnis der Gattin des Künstlers, also titled "Sitzende Frau".
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 135.
Henraux, Lucien. "I Cézanne della raccolta Fabbri." Dedalo vol. 1, no. 1 (1920), ill. p. 61, as Ritratto della signora Cezanne, 1875.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 165.
L.[ucien] H.[enraux]. "Une grande collection de Cézanne en Italie: la collection Egisto Fabbri." L'Amour de l'art 5, no. 11 (November 1924), ill. p. 344, as Portrait de Madame Cézanne, 1875.
Vauxcelles, Louis. "A propos de Cézanne [Hommage à Paul Cézanne]." L'Art vivant (Paris), no. 37 (July 1, 1926), p. 485, ill., as Portrait de Madame Cézanne.
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, p. 55, fig. 21, pl. XIV.
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XLI.
Dormoy, Marie. "La Collection Courtauld." L'Amour de l'art 10, nos. 1 et 2 (January et February 1929), ill. p. 18, as Portrait de Madame Cézanne, erroneously lists Courtauld as owner of this painting.
Besson, George (introduction). "Paul Cézanne: 1839–1906." Estampes. Paris: Braun & Cie, August 1936 (no. 4), fig. 3 p. 3.
Di San Lazzaro, Gualtieri. Paul Cézanne. Paris: Chroniques du Jour, 1936, fig. 6.
Tourrette, Gilles de la. "Paul Cézanne." Art et les Artistes 32 (July 1936), p. 333, ill., as Portrait de Madame Cézanne, dated circa 1870.
Huyghe, René. "Cézanne et son oeuvre." L'Amour de l'art 17, no. 5 (May 1936), fig. 55 p. 174, as Portrait de Madame Cézanne, c. 1880.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 292, ill. vol. II, as Madame Cézanne dans un fauteuil rouge.
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 139, ill.
Mack, Gerstle. La Vie de Paul Cézanne. Translated by Nancy Bouwens. Paris: Gallimard, 1938, ill. opposite p. 153.
Rilke, Rainer Maria. "Dichter über Kunstwerke, die sie lieben: Rainer Maria Rilke über zwei Bilder von Paul Cézanne." Die Kunst für Alle 54, no. 1 (October 1938), pp. 30-31, ill., as Frau in rotem Fauteuil (Die Frau des Künstlers).
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 72, ill. p. 209 (analysis p. 338).
Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 19, as Madame Cezanne à la jupe rayée.
Edgell, George Harold. French Painters in the Museum of Fine Arts: Corot to Utrillo. Boston: Museum of Fine Arts, 1949, p. 50, ill.
Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 55, pl. XIV fig. 21, as Portrait of Mme Cezanne.
Perruchot, Henri. "Les Quinze Logis de Monsieur Cézanne." L'Oeil, no. 12 (Christmas 1955), p. 31, ill.
Gowing, Lawrence. "Notes on the Development of Cézanne." The Burlington Magazine 98, no. 639 (June 1956), p. 188.
Mellquist, Jerome. "L'exposition qui ne fut jamais faite." Chroniques du jour: supplément au n°6 de XXe Siècle (January 1956), ill., as Portrait de Madame Cézanne au fauteuil rouge.
Buren, Anne H. van. "Madame Cézanne's Fashions and the Dates of Her Portraits." Art Quarterly 29, no. 2 (1966), fig. 6, p. 117.
Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 105.
Andersen, Wayne V. Cézanne's Portrait Drawings. Cambridge, MA, London: MIT Press, 1970, p. 16, fig. 15.
D'Harnoncourt, Anne. "The Necessary Cézanne." Art Gallery 14, no. 6 (April 1971), p. 37, ill.
Hobhouse, Janet. Everybody Who Was Anybody: A Biography of Gertrude Stein. New York: Putnam, 1975, ill. opp. p. 144 (although this is not the portrait that belonged to Gertrude Stein).
Rewald, John. "Some Entries for a New Catalogue Raisonné of Cézanne's Paintings." Gazette des beaux-arts, vol. 86, periode 6 (November 1975), pp. 160–61, ill., as Madame Cezanne à la jupe rayée.
Monneret, Sophie. Cézanne, Zola . . . La fraternité du génie. Paris: Denoël, 1978, ill. p. 83.
Monneret, Sophie. L'Impressionnisme et son époque: dictionnaire international illustré. Paris: Denoël, 1978, vol.1, ill. p. 212.
Berger, Klaus. "Krise des Impressionismus in den achtziger Jahren: Cézanne, Seurat, van Gogh, E. Bernard, Gauguin - Natur und Struktur." Japonismus in der westlichen Malerei: 1860-1920. Munich: Prestel, 1980, fig. 121, p. 121, as Madame Cézanne dans un fauteuil rouge, 1877.
Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Covre: pl. 19; Lux: pl. 3.
McQuillan, Melissa A. Impressionist Portraits. London: Little, Brown, 1986, pp. 128–29, ill.
Kirsch, Robert. "Paul Cézanne: Jeune fille au piano and Some Portraits of His Wife. An Investigation of His Painting of the Late 1870's." Gazette des beaux-arts, vol. 110, periode 6 (July–August 1987), pp. 21-22.
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 159, ill. in color.
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 66, ill. in color.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, ill. p. 74.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, pp. 25, 306.
Kendall, Richard. The History and Techniques of the Great Master Cézanne. London: Tiger Books International, 1989, p. 9, ill.
Rubin, William, and Matthew Armstrong. The William S. Paley Collection. New York: The Museum of Modern Art, 1992. Exhibition catalogue, p. 149, fig. 7.
Bozal, Valeriano. "Paul Cézanne: la mirada es le leguaje." La Balsa de la Medusa (Madrid) 36 (1995), ill. p. 95, as Madame Cézanne en el sillón rojo.
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 34.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 324, ill. vol. 2, as Madame Cezanne à la jupe rayée.
Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 49, fig. 40, as Madame Cézanne in a Red Armchair.
Cavalli-Björkman, Görel. "Cézanne i blickpunkten." In Cézanne i blickpunkten. Stockholm: Centraltryckeriet, 1997. Exhibition catalogue, ill. p. 34.
Lewis, Mary Tompkins. "The Path to Les Lauves: A History of Cézanne's Studios." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 15, ill. in color.
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 44, fig. 1.32, as Madame Cezanne à la jupe rayée.
Dumas, Ann. "The Art of Paul Cézanne: A Harmony Parallel to Nature." In Cézanne in Britain. London: Kate Bell, 2006. Exhibition catalogue, p. 9, fig. 2.
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, p. 259, fig. 6.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 125; vol. 2, p. 94, as Madame Cezanne à la jupe rayée.
Arrouye, Jean. "Les descendantes de Madame Cézanne à la jupe rayée." In Picasso, Cézanne. Paris: Réunion des musées nationaux, 2009. Exhibition catalogue, p. 125, fig. 1, as Madame Cezanne à la jupe rayée.
Bois, Yve-Alain. "Cézanne and Matisse: From Apprenticeship to Creative Misreading." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 134, ill., p. 234, pl. 60, as Madame Cézanne in a Red Armchair.
Elderfield, John. "Picasso's Extreme Cézanne." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 234, pl. 60, as Madame Cézanne in a Red Armchair.
Sidlauskas, Susan. Cézanne's Other: The Portraits of Hortense. Berkeley: University of California Press, 2009, p. 3, fig. 1, as Madame Cezanne à la jupe rayée.
Robins, Anna Gruetzner. "'Manet and the Post-Impressionists': a checklist of the exhibition." The Burlington Magazine 152, no. 1293 (December 2010), p. 785.
Machotka, Pavel. "Des paysages du nord aux premiers pas du cubisme." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 187, ill., as Madame Cezanne à la jupe rayée.
Machotka, Pavel. "I ritratti di Cézanne: il volto umano della grande pitura." In Cézanne: les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 83, fig. 51.
Coutagne, Denis. Cézanne abstraction faite. Paris: Les Editions du Cerf, 2011, p. 207, fig. 143.
Chiappini, Rudy. "I temi prediletti del padre della modernità." In Cézanne e gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue, p. 100, fig. 5.
Leeman, Fred. Emile Bernard (1868–1941). Paris: Wildenstein Institute and Citadelles & Mazenod, 2013, p. 352, fig. 82.
Smith, Paul. "Cézanne's 'Primitive' Perspective, or the 'View from Everywhere.'" The Art Bulletin 95, no. 1 (March 2013), fig. 3.
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 22, fig. 5.
Nagaï, Takanori. "Cézanne and Jas de Bouffan." In Le "basho" dans l'art moderne français. Tokyo: Sangensha, 2016, p. 128, ill.
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 68, 1877.
Smith, Paul. "Vermilion, or why Cézanne took the shine off things." Word & Image 36, nio. 1 (2020), p. 73, ill. (p. 75, fig. 11 detail).
Cézanne, Philippe. Paul Cezanne dépeint par ses contemporains. Lyon: Fage éditions, 2021, fig. 96.
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 190, fig. 3, as Madame Cézanne in a Red Armchair.
Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 16.
Smith, Paul. "Looking slowly with Cezanne." The Burlington Magazine 165 (April 2023), fig. 3.
Record last updated June 29, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Madame Cezanne à la jupe rayée, c.1877 (FWN 443)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=320 (accessed on November 25, 2024).
