Catalogue entry

FWN 780

Nature morte au compotier

1879–80

Alternate titles: Compotier de fruits; Compotier, Verre et Pommes; Die Obstschüssel; Fruits ou Nature morte; Le Compotier; Nature morte; Nature morte: fruits; Still life; Still Life with Compotier; Still Life with Fruit Dish; Stilleben

Rewald (418): 1879–80; Venturi revised: 1879–82; Venturi (341): 1879–82; Rivière: 1877 and 1890; Vollard: 1877; Cooper: 1877; Gowing: 1879; Ratcliffe: probably 1879

Oil on canvas

18 1/8 x 21 5/8 in. (46 x 55 cm)

Signed lower left in blue: P. Cezanne

Vollard archives: photo no. 272 and 190, Annotated by Cezanne's son: 1877; in another hand: Viau

The Museum of Modern Art, New York (Gift of David and Peggy Rockefeller)

Keywords

Still-life objects
Edibles and Flowers:
- apple(s) / pomme(s) »
- fruit(s) »
- grapes / raisins »
Still-life objects
Dishes and Vessels:
- fruit-dish / compotier »
- glass / verre »
Still-life objects
Miscellaneous:
- knife / couteau »
- white cloth / nappe blanche »
Interiors
Wall decoration:
- wallpaper, floral »
Interiors
Furnishings:
- wooden chest / coffre »
Technique and Condition:
- parallel brush strokes »
- signed work »
Studios:
- 2, place de la Préfecture, Melun »

Provenance

Paul Gauguin, Paris and Copenhagen (by 1884)

Ambroise Vollard, Paris (May 23, 1896 via Chaudet)

George Viau, Paris;

Viau Collection, Galerie Durand-Ruel, Paris, France, March 4, 1907, no. 13, ill.

Galerie Bernheim-Jeune, Paris (March. 4, 1907)

Prince de Wagram (Alexandre Berthier), Paris (May 25, 1908)

Galerie E. Druet, Paris (Jan. 11, 1910)

Marczell de Nemes, Budapest (1910);

Nemes Collection, Galerie Manzi-Joyant, Paris, June 18, 1913, no. 85, ill.

[Jos. Hessel, Paris]

Auguste Pellerin, Paris;

M. et Mme René Lecomte, Paris

David and Peggy Rockefeller, New York;

The Museum of Modern Art, New York (1991)

Exhibition History

1900 Paris

Exposition Universelle, Grand Palais, Paris, Centennale de l'Art français, 1800–1899, April 15–October 15, 1900, no. 86, as Nature morte: fruits, lent by Viau.

1903 Vienna

Secession, Vienna, Entwicklung des Impressionismus in Malerei u. Plastik: XVI. Ausstellung der Vereinigung bildender Künstler Österreichs, Secession, January–February 1903, no. 62, as Stilleben, lent by Viau.

1904 Brussels

La Libre Esthétique, Brussels, Exposition des peintres impressionnistes, February 25–March 29, 1904, no. 13, as Nature morte: fruits, lent by Georges Viau.

1910a Budapest

Müvészház, Budapest, Hungary, Nemzetközi Impresszionista Kiállítás, April–May 1910, no. 15, as Still life, lent by Marcel Nemes.

1910b Budapest

Museum of Fine Arts, Budapest, Hungary, [Nemes Collection], November 1910, no. 74, as Still life.

1911–12 Munich

Alte Pinakothek, Munich, Sammlung Marczell de Nemes, June 1911–January 1912, no. 28, ill.

1912 Düsseldorf

Städtische Kunsthalle, Düsseldorf, Germany, Sammlung Marczell von Nemes, Budapest, Summer 1912, no. 113, ill.

1934 Ottawa and traveling

National Gallery of Canada, Ottawa, Ontario, Canada, French Painting of the 19th Century, January 1934, tentative identification. Traveled to: Art Gallery of Toronto, Toronto, February 1934; Art Association, Montreal, March 1934.

1934d Paris

Gazette des Beaux-Arts, Paris, Les etapes de l’art contemporain, II, Gauguin, ses Amis: l’école de Pont-Aven et l’académie Julien, February 26–March 25, 1934.

1936c Paris

Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 39, pl. XXXV, as Compotier, Verre et Pommes, lent by Lecomte.

1954 Paris

Orangerie, Paris, Hommage à Cézanne, July 2–October 17, 1954, no. 43, pl. XVIII, lent by private collection, Paris.

1970c Paris

Orangerie, Paris, Maurice Denis, June 3–August 31, 1970, E', as Compotier, Verre et Pommes, c. 1877, cataloged but not shown.

1974–75 Paris and traveling

Grand Palais, Paris, Centenaire de l'impressionnisme, September 24–November 24, 1974, no. 7, ill., as Compotier, Verre et Pommes, lent by Private collection, France. Traveled to: The Metropolitan Museum of Art, Impressionism: A Centenary Exhibition, New York, December 12, 1974–February 10, 1975.

1994 New York

The Museum of Modern Art, New York, Masterpieces from the David and Peggy Rockefeller Collection, June 9–September 6, 1994, ill., p. 28.

2004–05 Essen

Museum Folkwang, Essen, Germany, Cézanne: Aufbruch in die Moderne, September 18, 2004–January 16, 2005, listed p. 231, ill. pp. 23 and 206, as Nature morte au compotier.

2022–23 Chicago and traveling

The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 53, ill. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.

Published References

Gauguin 1888a

Gauguin, Paul. Sketchbook, known as Album Briand. , p. 5 (as size 10), as Nature morte, list datable to c. Jan. 1888.

Gauguin 1888b

Gauguin, Paul. "Letter to Emile Schuffenecker, n.d. [probably written beginning of June 1888 in Pont Aven]." In Correspondance de Paul Gauguin: documents témoignages, 1 [1873-1888], Victor Merlhès, ed. Paris: Fondation Singer-Polignac, 1984, p. 182.

Bernard 1891

Bernard, Émile. "Paul Cézanne." Les Hommes d'aujourd'hui 8, no. 387 (1891), (described), seen at Schuffenecker's.

Gauguin 1897–98

Gauguin, Paul. "[Letters written from Tahiti] 'Mon cher Daniel', Août 96 [sic (97)] and Octobre 98." In Lettres de Paul Gauguin à Georges-Daniel de Monfreid, Segalen, Victor, ed. Paris: Georges Crès et Cie, 1918, p. 185 (p. 111 (1950 ed.)) and p. 225 (p. 130 (1950 ed.)).

Heilbut 1903b

Heilbut, Emil. "Die Impressionistenausstellung der Wiener Secession." Kunst und Künstler 1 (1902-03), ill. p. 192, as Stilleben.

Duret 1906

Duret, Théodore. Histoire des peintres impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin. Paris: H. Floury, 1906, ill. p. 189.

Mauclair 1906

Mauclair, Camille. Trois crises de l'art actuel. Paris: Éditions Fasquelle, 1906, pp. 191–92.

Rotonchamp 1906

Rotonchamp, Jean de. Paul Gauguin, 1848–1903. Weimar: E. Druet, 1906, p. 20.

Lanoë 1907

Lanoë, G. "Cezanne." Les Tendances Nouvelles 32 (1907), p. 625, quotes from E. Bernard, 1891: "une coupe blanche sur fond vert-bleu strié des fleurs d'un papier peint; proches, un verre en urne, une serviette déployée" seen chez Schuffenecker [perhaps on consignment?]

Meier-Graefe 1907b

Meier-Graefe, Julius. "Paul Cézanne." Volné směry (Prague) 11 (1907), ill. p. 88.

Soffici 1908

Soffici, Ardengo. "Paul Cézanne." Vita d'arte 1, no. 6 (June 1908), p. 331, ill.

Faure 1910

Faure, Élie. "Paul Cézanne." Portraits d'Hier 2, no. 28 (May 1, 1910), p. 105, ill.

Farkas 1912

Farkas, Zoltan. "Nemes Marczell gyujteményének uj képei." Vasárnapi Ujság, Junel 9, 1912, pp. 466-67.

Waldmann 1913

Waldmann, Emil. "Die Sammlung Nemes." Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe Neue Folge XXIV, no. 16 (January 17, 1913), col. 227.

Vollard 1914

Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, pl. 14, as Compotier de fruits.

Gauguin 1918

Gauguin, Paul. Avant et après. Leipzig: K. Wolff, 1918, p. 231.

Meier-Graefe 1918a

Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 109.

Maestri Moderni 1920

Maestri Moderni. I, Cézanne. Rome: La Voce, 1920, ill.

Faure 1921

Faure, Élie. Histoire de l'Art. L'Art moderne. Paris: Les Éditions Crès, 1921, ill. p. 399.

Gasquet 1921b

Gasquet, Joachim. Cézanne. Paris: Les Editions Bernheim-Jeune, 1921, p. 120, pl. p. 118, as Le Compotier.

Meier-Graefe 1922

Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 127, as Stilleben, 1877.

Klingsor 1923

Klingsor, Tristan L. Cézanne. Paris: Rieder, 1923, pl. 10, as Le Compotier.

Rivière 1923

Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 205, listed twice (?)

Faure 1923a

Faure, Élie. P. Cézanne. Paris, 1923, pl. 24, as Compotier de fruits.

Faure 1924

Faure, Élie. Histoire de l'art: l'art moderne. Paris: G. Crès, 1924, ill. p. 419.

Bernard 1925

Bernard, Emile. Souvenirs sur Paul Cézanne: une conversation avec Cézanne: la méthode de Cézanne. Paris: R.G. Michel, 1925, ill. opposite p. 125.

Fry 1926

Fry, Roger. "Le développement de Cézanne." L'Amour de l'art 7, no. 12 (December 1926), ill. p. 403, as Le Compotier.

Gasquet 1926

Gasquet, Joachim. Cézanne. Paris: Les Editions Bernheim-Jeune, 1926, p. 200, pl. [36] hors texte, as Le Compotier.

Kreitmaier 1926

Kreitmaier, Josef. Von Kunst und Künstlern. Freiburg im Breisgau: Herder, 1926, pl. 8.

Bernard 1926a

Bernard, Émile. Souvenirs sur Paul Cézanne, Une Conversation avec Cézanne. Paris: R.G. Michel, 1926, ill. opp. p. 82.

Faure 1926b

Faure, Élie. Histoire de l'Art. Paris: G. Crès, 1926, p. 417, ill.

Pfister 1927

Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 36, as Stilleben, 1877.

Fry 1927a

Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, pp. 42–51, fig. 16, pl. XI.

Meier-Graefe 1927a

Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XX.

D'Ors 1930

Ors, Eugenio d.' Paul Cézanne. Paris: Editions des Chroniques du Jour, 1930, pl. 18.

Gasquet 1930b

Gasquet, Joachim. Cézanne. Berlin: B. Cassirer, 1930, ill. opp. p. 136.

Mack 1935

Mack, Gerstle. Paul Cézanne. New York: Alfred A. Knopf, 1935, fig. 25.

Olmenhove 1935

Olmenhove, van den. "Kunst: Paul Cézanne." Verf en kunst: maandblad van P. A. Regnault's verf-, inkt- en blikfabrieken (Surabaya) 4, no.10, no.11, no.12 (1935), ill. p. 7 (no.11), asStilleven uit een vroegere periode.

Iavorskaia 1935a

Iavorskaia, Nina. Cézanne. Moscow: Ogiz-Izogiz, 1935, pl. 21.

Iavorskaia 1935b

Iavorskaia, Nina. Paul Cézanne. Milan: Hoepli, 1935, pl. IX.

Benesch 1936

Benesch, Otto. "Cézanne: zur 30. Wiederkehr seines Todestages am 22. Oktober." Die Kunst für Alle 52, no. 3 (December 1936), ill. p. 58, as Die Obstschüssel, c. 1877.

Faure 1936

Faure, Élie. Cézanne. Paris: Editions Braun, 1936, pl. 24.

L'Art sacré 1936

L'Art sacré: revue mensuelle. Special number, Cézanne. Paris, May 1936, fig. 9 p. 13, as Nature morte au compotier.

Huyghe 1936b

Huyghe, René. "Cézanne et son oeuvre." L'Amour de l'art 17, no. 5 (May 1936), fig. 53 p. 173, as Le Compotier, 1877.

Venturi 1936b

Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 341, ill. vol. II, as Compotier, Verre et Pommes.

Huyghe 1936d

Huyghe, René. Cézanne. Paris: Plon, Éditions d'Art et d'Histoire, 1936, pl. 21.

Novotny 1937

Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 25.

Rewald 1937a

Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.

Barnes and de Mazia 1939

Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 64, p. 191, ill. (analysis p. 329).

Bazin 1945

Bazin, Germain. "Cézanne devant l'impressionnisme." Labyrinthe 2, no. 17 (February 15, 1945), p. 6, ill.

Rewald 1946

Rewald, John. The History of Impressionism. New York: The Museum of Modern Art, 1946, p. 346, ill.

Schildt 1946

Schildt, Göran. Cézanne. Stockholm: Wahlström & Widstrand, 1946, fig. 38.

Novotny 1947

Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 24, as Nature morte au compotier, 1877-79.

Dorival 1948

Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 64, listed p. 154.

Jedlicka 1948

Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 20, as Nature morte au compotier.

Fry 1952

Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 42, pl. XI fig. 16, as Le Compotier.

Schapiro 1952a

Schapiro, Meyer. Cézanne. New York: Harry N. Abrams, 1952, pp. 54–55, ill.

Badt 1956

Badt, Kurt. Die Kunst Cézannes. Munich: Prestel, 1956, p. 123.

Gowing 1956

Gowing, Lawrence. "Notes on the Development of Cézanne." The Burlington Magazine 98, no. 639 (June 1956), p. 188.

Denis 1957a

Denis, Maurice. "entry of February 6, 1898." Journal, vol. 1 (1884–1904). Paris: La Colombe, 1957, pp. 131, 143, 157.

Denis 1957b

Denis, Maurice. Journal, vol. 2 (1905–20). Paris: La Colombe, 1957, pp. 131, 143, 157.

Elles 1958

Elles, Iris. Das Stilleben in der französischen Malerei des 19. Jahrhunderts. Zurich: Origo Verl, 1958, pp. 102–03.

Novotny 1961

Novotny, Fritz. Cézanne. London: Phaidon, 1961, pl. 12.

Rewald 1961

Rewald, John. The History of Impressionism. New York: The Museum of Modern Art, 1961, p. 474, ill.

Bodelsen 1962

Bodelsen, Merete. "Gauguin's Cézannes." The Burlington Magazine 104, no. 710 (May 1962), pp. 208, fig. 42.

Reff 1962c

Reff, Theodore. "Cézanne's Constructive Stroke." Art Quarterly 25, no. 3 (Autumn 1962), p. 214.

Rosenberg 1967

Rosenberg, Jakob. On Quality in Art. Princeton: Princeton University Press, 1967, pl. 82.

Andersen 1967a

Andersen, Wayne V. "Cézanne, Tanguy, Choquet [sic]." The Art Bulletin 49, no. 2 (June 1967), pp. 138–39.

Bodelsen 1968a

Bodelsen, Merete. Gauguin og Impressionisterne. Copenhagen: Kunstforeningen, 1968, pp. 79-92, ill. p. 89.

De La Coste-Messelière 1969

De La Coste-Messelière, Marie-Geneviève. "Une Jeune Prince amateur d'impressionnistes et chauffeur." L'Oeil 179 (November 1969), p. 22, ill.

Roskill 1970

Roskill, Mark W. Van Gogh, Gauguin and the Impressionist Circle. Greenwich: New York Graphic Society, 1970, pl. 19.

Bodelsen 1970b

Bodelsen, Merete. "Gauguin, the Collector." The Burlington Magazine 112, no. 810 (September 1970), p. 606, Catalogue no. 7, as Nature morte.

Huyghe 1971

Huyghe, René. Impressionism. London: Bracken Books, 1971, p. 259, ill.

Schapiro 1973

Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 12 (with comments).

Wadley 1975

Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1975, pl. 44.

Reff 1979b

Reff, Theodore. "The Pictures within Cézanne's Pictures." Arts Magazine 53, no. 10 (June 1979), fig. 1.

Ponente 1981

Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Lux: pl. 7.

Thomson 1983

Thomson, Belinda. The Post-Impressionists. London: Phaidon Press, 1983, pl. 63.

Potter 1984

Potter, Margaret. The David and Peggy Rockefeller Collection. New York: [privately published], 1984, pp. 152–58, ill.

Arnold 1986a

Arnold, Matthias. "Cézanne und van Gogh: Die beiden grossen Postimpressionisten I: Ein Vergleich." Weltkunst (Munich) 56, no. 1 (January 1, 1986), p. 30, fig. 10.

Rewald 1986b

Rewald, John. Cézanne: A Biography. New York: Harry N. Abrams, 1986, p. 119, ill.

Kirsch 1987a

Kirsch, Robert. "Paul Cézanne: Jeune fille au piano and Some Portraits of His Wife. An Investigation of His Painting of the Late 1870's." Gazette des beaux-arts, vol. 110, periode 6 (July–August 1987), p. 25.

Düchting 1989

Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 179, ill.

Geelhaar 1989

Geelhaar, Christian. "The Painters Who Had the Right Eyes: On the reception of Cézanne's Bathers." In Paul Cézanne: The Bathers. Basel: Kunstmuseum Basel, 1989. Exhibition catalogue, p. 287, fig. 217, as Compotier, Verre et Pommes.

Lewis 1989

Lewis, Mary Tompkins. Cézanne's Early Imagery. Berkeley: University of California Press, 1989, p. 147.

Wadley 1989

Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1989, p. 53, ill. in color.

Verdi 1992

Verdi, Richard. Cézanne. London and New York: Thames & Hudson, 1992, pp. 11-12, fig. 6, c. 1880.

Paul 1993

Paul, Barbara. Hugo von Tschudi und die moderne französische Kunst im Deutschen Kaiserreich. Mainz: Philipp von Zabern, 1993, fig. 99.

Cachin and Rishel 1995

Cachin, Françoise, and Joseph Rishel. Cézanne. Paris: Réunion des musées nationaux, 1995. Exhibition catalogue, p. 31, ill.

Kitschen 1995

Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 33.

Cahn 1995b

Cahn, Isabelle. Paul Cézanne. Paris: Somogy Editions d'Art, 1995, p. 77, ill.

Rewald 1996

Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 418, ill. vol. 2, as Nature morte au compotier.

Boehm 1998

Boehm, Gottfried. "Die Sprache der Dinge. Cézannes Stilleben." In Cézanne—Picasso—Braque. Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue, fig. 6.

Kitschen 2000

Kitschen, Friederike. "Malen, Sehen, Denken, Fühlen - Cézannes Stilleben." In Cézanne Manet Schuch: drei Wege zur autonomen Kunst. Munich: Hirmer, 2000. Exhibition catalogue, fig. 7, erroneously as Private collection, New York.

Boehm 2002

Boehm, Gottfried. "Paul Cézanne - La Passione per il visibile." In Cézanne: Il padre dei moderni. Milan: Mazzotta, 2002. Exhibition catalogue, ill. p. 60.

Lewis 2002

Lewis, Mary Tompkins. "The Path to Les Lauves: A History of Cézanne's Studios." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 17, ill. in color.

Athanassoglou-Kallmyer 2003

Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 248, fig. 6.5, as Nature morte au compotier.

Armstrong 2004

Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue, p. 3, fig. 2, as Still Life with Compotier, 1880.

Feilchenfeldt 2005b

Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 196, ill.

Kropmanns 2006

Kropmanns, Peter. Cézanne: Eine Biographie. Stuttgart: Reclam, 2006, ill. between pp. 116 and 117.

Machotka 2008

Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 198; vol. 2, p. 133, as Nature morte au compotier.

Golding 2009

Golding, John. "Cézanne, Braque and Pictorial Space." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009, p. 270, pl. 84, as Still Life with Fruit Dish.

Green 2009

Green, Christopher. "Cézanne and Léger: Realizing Sensations." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 204, ill., p. 270, pl. 84, as Still Life with Fruit Dish.

Shiff 2009a

Shiff, Richard. "Lucky Cézanne (Cézanne Tychique)." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: Yale University Press, 2009. Exhibition catalogue, p. 87, ill., p. 270, pl. 84, as Still Life with Fruit Dish.

Cahn 2011

Cahn, Isabelle. "Face à la critique." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 180, fig. 94, as Nature morte au compotier.

Lanchner 2011

Lanchner, Carolyn. 10 Works by Paul Cézanne in the Museum of Modern Art Collection. MoMA Artists Series. New York: The Museum of Modern Art, 2011, pp. 4–8, ill.

Molnos 2011

Molnos, Péter. "The Modern Foreign Paintings of the Nemes Collection." In Marcel Nemes, Art Patron and Collector. Budapest: Szépmüvészeti Múzeum, 2011. Exhibition catalogue, p. 106, fig.21.

Molnos 2012

Molnos, Péter. "The Works of Paul Cézanne in Hungarian Private Collections." In Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012. Exhibition catalogue, p. 213, fig. 123, as Still Life with Fruit Dish, MoMA.

Rishel 2012a

Rishel, Joseph J. "Introduction." In Gauguin, Cézanne, Matisse: Visions of Arcadia. Philadelphia: Philadelphia Museum of Art, 2012. Exhibition catalogue, p. 6, fig. 5, as Still Life with Fruit Dish.

Shiff 2012a

Shiff, Richard. "Cézanne." In 1912, Mission Moderne: die Jahrhundertschau des Sonderbundes, edited by Barbara Schaefer. Cologne: Wienend Verlag, 2012. Exhibition catalogue, p. 93, fig. 7.

Cézanne 2013

Cézanne, Paul. The Letters of Paul Cézanne. Edited and translated by Alex Danchev. London and Los Angeles: Thames & Hudson; Getty Publications, 2013, p. 302, ill.

Leeman 2013

Leeman, Fred. Emile Bernard (1868–1941). Paris: Wildenstein Institute and Citadelles & Mazenod, 2013, p. 363, fig. 86.

Shiff 2014

Shiff, Richard. "Morality, Materiality, Apples." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue, p. 151, fig. 2, as Still Life with Fruit Dish.

Pola Museum of Art 2015

Cézanne: Pioneer of Modern Art. Kanagawa: Pola Museum of Art, Pola Art Foundation, 2015. Exhibition catalogue, p. 73, fig. 14.

Armstrong 2018

Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 19, 1879-82.

Fontanella 2018

Fontanella, Megan et al. Thannhauser Collection: French Modernism at the Guggenheim. New York: Guggenheim Museum Publication, 2018, p. 61, fig. 5.3, as Still Life with Fruit Dish.

Brettell 2019

Brettell, Richard R. On Modern Beauty: Three Paintings by Manet, Gauguin and Cézanne. Los Angeles: Getty Publicatons, 2019, fig. 59.

Martigny 2019

Trésors Impressionnistes, La collection Ordrupgaard. Martigny, 2019. Exhibition catalogue, p. 141, ill., as Nature morte au compotier.

Dauberville 2020

Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 23, ill., as Fruits ou Nature morte.

Saint-Raymond and Viraben 2020

Saint-Raymond, Léa, and Hadrien Viraben. "The Virtual Collection of Alexandre Berthier, Prince of Wagram." Nineteenth-Century Art Worldwide, Autumn 2020, mentioned, notes a letter from Jos Hessel to Berthier, May 19, 1906, re: purchase.

Cezanne 2021

Cézanne, Philippe. Paul Cezanne dépeint par ses contemporains. Lyon: Fage éditions, 2021, fig. 129.

Elderfield 2021

Elderfield, John. "Dr. Barnes's Cézanne." In Cézanne in the Barnes Foundation. New York: Rizzoli Electa, 2021, fig. 11, as Still Life with Fruit Dish.

Shiff 2021

Shiff, Richard. "Sensation Abstracted." In Cezanne to Malevich, Arcadia to Abstraction. Budapest: Museum of Fine Arts, 2021. Exhibition catalogue, fig. 3.

Nagaï 2021b

Nagaï, Takanori. "Cezanne chez Gauguin." Aesthetics, nos. 23-24 (2021), p. 37, fig. 21.

Nagaï 2022a

Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 24.

Heteran 2023

Heteran, Marjan van. "Van Gogh, Cézanne, Le Fauconnier and the Bergen School." In Van Gogh, Cézanne, Le Fauconnier and the Bergen School. Zwolle: Stedelijk Museum and Waanders, 2023. Exhibition catalogue, p. 130, fig. 141.

Maurice Denis, Hommage à Cézanne, 1900-01, Musée d'Orsay

Paul Gauguin, Portrait of a Woman, 1890 (Art Institute of Chicago)

Record last updated March 26, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.

Citation: Société Paul Cezanne. "Nature morte au compotier, 1879–80 (FWN 780)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=411 (accessed on April 18, 2024).