The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 462
Portrait de l'artiste au papier peint olivâtre
1880–81
Alternate titles: Autoretrat; Cézanne; Cézanne chauve; Cézanne vu par lui-même; Portrait de Cézanne; Portrait de Cézanne chauve; Portrait de Cezanne or Paul Cezanne chauve; Portrait de l'artiste; Portrait de l'artiste par lui-même; Portrait of the Artist; Selbstbildnis; Self Portrait; Self Portrait ('Cézanne Chauve')
Rewald (482): 1880–81; Venturi revised: 1879–82; Venturi (365): 1879–82; Cooper: 1880–82 (Courtauld); Gowing: c.1879 (Edinburgh) and 1877 (Burlington)
Oil on canvas
13 3/16 x 10 3/16 in. (33.6 x 26 cm)
Provenance
Exhibition History
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 6–17, 1914, no. 15, as Portrait de Cézanne, lent by Private collection.
Kunsthaus Zürich, Zurich, Französische Kunst des XIX. und XX. Jahrhunderts, October 5–November 14, 1917, no. 36, ill., as Portrait de Cézanne, lent by Bernheim-Jeune.
Independent Gallery, London, A Few Masterpieces of French Painting: Ingres to Cézanne, May 18–June 6, 1925, no. 2, as Portrait de Cézanne chauve.
National Gallery (Tate Gallery), Millbank, London, Modern Foreign School, June 26–October 10, 1926, no. 4135, as Cézanne chauve, Presented by the Trustees of the Courtauld Fund, 1926.
Tate Gallery, London, Samuel Courtauld: Memorial Exhibition, May–June 1948, no. 7, as Self Portrait ('Cézanne Chauve'), c. 1880-82.
Royal Scottish Academy, Edinburgh, United Kingdom, Paintings by Cézanne, August 20–September 18, 1954, no. 21, as Portrait de l'artiste par lui-même, c. 1879, lent by the Tate Gallery. Traveled to: Tate Gallery, London, September 29–October 27, 1954.
Musée de l'Orangerie, Paris, Impressionnistes de la Collection Courtauld de Londres, October 1955, no. 5, pl. 42.
Art Gallery of New South Wales, Sydney, Classic Cézanne, November 28, 1998–February 28, 1999, no. 1, ill., as Portrait de l'artiste au papier peint olivâtre.
The Courtauld Gallery, London, Art Made Modern: Roger Fry's Vision of Art, October 15, 1999–January 23, 2000, no. 26, fig. 1 p. 8, as Self Portrait, 1879.
National Gallery, London, Cézanne in Britain, October 4, 2006–January 7, 2007, no. 19, ill., (dated c. 1880–81, size: 34.7 x 27 cm), as Self Portrait.
Musée du Luxembourg, Paris, Cézanne et Paris, October 12, 2011–February 26, 2012, no. 5, ill., p. 22, as Portrait de l'artiste au papier peint olivâtre, lent by National Gallery, London.
Musée d'Orsay, Paris, Cézanne Portraits, June 13–September 24, 2017, no. 25, ill.
Musée d'Orsay, Paris, Cézanne Portraits, June 13–September 24, 2017, no. 8.1, ill. Traveled to: National Portrait Gallery, London, October 26, 2017–February 11, 2018; National Gallery of Art, Washington, D.C, March 25–July 1, 2018.
Published References
Borgmeyer, Charles Louis. The Master Impressionists. Chicago: The Fine Arts Press, 1913, p. 271, ill., as Self Portrait, Collection Pellerin.
Bernheim-Jeune, ed. Cézanne. With contributions by O. Mirbeau, T. Duret, L. Werth, et al. Paris: Editions Hollande, 1914, pl. XXXII.
Sacs, Joan. "Les natures-mortes den Pau Cézanne." Revista nova (Barcelona) Year I, no. 22 (September 3, 1914), ill. cover (cropped), as Autoretrat, Private collection.
MM. Bernheim-Jeune. "Publications de la maison Bernheim-Jeune." In Exposition de peinture moderne. Paris: MM. Bernheim-Jeune et Cie, 1917. Exhibition catalogue, as Portrait de Cézanne.
Bernheim-Jeune, ed. L'Art moderne et quelques aspects de l'art d'autrefois: cent-soixante-treize planches d'après la collection privée de MM. J. & G. Bernheim-Jeune, poèmes de Henri de Régnier , 2 vols. Paris: Bernheim-Jeune, 1919, pl. 14.
Vauvrecy; Paul Cézanne. "Vie de Cézanne'';''Lettres de Cézanne." L'Esprit nouveau: revue internationale d'esthétique, no. 2 (1920), ill. p. 131.
Gasquet, Joachim. Cézanne. Paris: Les Editions Bernheim-Jeune, 1921, pl. (color) p. 126, as Cézanne.
Earp, T.W. "Modern French Painting at the Tate Gallery." Apollo 4, no. 20 (August 1926), p. 79, ill.
Fry, Roger. "Le développement de Cézanne." L'Amour de l'art 7, no. 12 (December 1926), ill. p. 395, as Portrait de l'artiste.
Preston, W.E. Hayter. "The Courtauld Collection." Studio 91, no. 396 (March 1926), p. 187, ill.
Tatlock, R.R. "The Courtauld Trust." Art News 24 (June 12, 1926), p. 6, ill., as Cézanne chauve.
Tatlock, R.R. "The Courtauld Trust." The Burlington Magazine for Connoisseurs 48, no. 275 (February, 1926), pp. 57-58, fig.B pl. II, as Cézanne chauve.
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 39, as Selbstbildnis.
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, pp. 55–57, fig. 47, pl. XXXVI.
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XXIX.
Meier-Graefe, Julius. "Die Franzosen in der Tate Gallery." Der Cicerone 20, no. 12 (1928), p. 394.
Tietze, Hans. "Französische Bilder des XIX. Jahrhunderts in der Londoner Nationalgalerie." Kunst und Künstler 26, no. 2 (1928), p. 65.
Ede, H.S. "La Peinture française à la National Modern Foreign Gallery de Londres." Cahiers d'Art, no. 7 (1930), p. 357, ill.
Peschcke-Koedt, Matthias. "Statusopgorelse i Malerkunsten." Samleren 10 (December 1933), p. 189, ill.
Gual, Enric F. "A París han exagerat." Mirador (Barcelona), August 13, 1936, ill. p. 7, as Autoretrat.
Rewald, John. "Iconographie de Cézanne: vu par lui-même." L'Amour de l'art 17, no. 5 (May 1936), fig. 4 p. 160, as Cézanne vu par lui-même, c. 1880.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 365, ill. vol. II, as Portrait de Cézanne.
Laver, James. French Painting and the Nineteenth Century. London: B.T. Batsford, 1937, pl. 92.
Gasch, Sebastià. "La tragedia de Cézanne." Meridià (Barcelona), February 18, 1938, ill. p. 4.
Gaunt, William. "Paul Cézanne: An Essay in Valuation of the Ideals and Achievements of the Greatest Amateur of an Amateur Age in Painting." Studio 116, no. 564 (September 1938), p. 146, ill.
Mack, Gerstle. La Vie de Paul Cézanne. Translated by Nancy Bouwens. Paris: Gallimard, 1938, ill. opp. p. 201.
Mellquist, Jerome. "The Armory Show Thirty Years Later." Magazine of Art 36 (December 1943), p. 298, ill.
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 61, listed pp. 153-154 (quote from Rilke's letter does not apply to this picture).
Rothenstein, John. Modern Foreign Pictures in the Tate Gallery. London: Trustees of the Tate Gallery, 1949, pl. 61.
Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 55, pl. XXXVI fig. 47, as Portrait of the Artist.
Gowing, Lawrence. "Notes on the Development of Cézanne." The Burlington Magazine 98, no. 639 (June 1956), p. 189.
Alley, Ronald. The Foreign Paintings, Drawings and Sculpture. London: Tate Gallery, 1959, p. 32, pl. 3, as Self Portrait.
Dobai, Johannes. "Über das Verhältnis Cézannes zu seinen Vorbildern." Du 21 (May 1961), p. 15, ill.
Levey, Michael. A Concise History of Paintings: From Giotto to Cézanne. London: Praeger, 1962, fig. 545.
Sutton, Denys. "Editorial: A Shock for the Troops." Apollo 80 (October 1964), cover plate.
Leonhard, Kurt. Paul Cézanne in Selbstzeugnissen und Bilddokumenten. Rheinbek bei Hamburg: Rowohlt, 1966, p. 142, ill.
Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 106.
Andersen, Wayne V. Cézanne's Portrait Drawings. Cambridge, MA, London: MIT Press, 1970, p. 27, fig. 22.
Davies, Martin. National Gallery Catalogues. French School: Early 19th Century, Impressionists, Post-Impressionists etc. Revised by Cecil Gould. London: National Gallery, 1970, pp. 17–18, no. 4135.
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 11 (with comments).
Stokes, Adrian. "Cézanne." In The Critical Writings of Adrian Stokes, vol. 2, 1937–58. London: Thames & Hudson, 1978, commentary p. 272, fig. 103.
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 131.
Thomas, Denis. The Age of the Impressionists. Middlesex, U.K.: Holiday House, 1987, p. 158, ill.
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 78, ill. in color.
Reed, Christopher. "The Fry Collection at the Courtauld Institute Galleries." The Burlington Magazine 132, no. 1052 (November 1990), p. 768, with an illustration of Roger Fry's copy of Cezanne's self-portrait from 1925, p. 769 fig. 10.
Baker, Christopher, and Tom Henry. The National Gallery: Complete Illustrated Catalogue. London: National Gallery Publications, 1995, p. 107, ill., as Self Portrait, c. 1880.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 482, ill. vol. 2, as Portrait de l'artiste au papier peint olivâtre.
Platzman, Steven. Cézanne: The Self-Portraits. Berkeley: University of California, 2001, p. 180, 197, fig. 14, as Portrait de l'artiste au papier peint olivâtre.
Lewis, Mary Tompkins. "The Path to Les Lauves: A History of Cézanne's Studios." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 19 (detail), ill. in color.
Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 190, ill.
Brettell, Richard, and Stephen Eisenmann. Nineteenth-Century Art in the Norton Simon Museum. New Haven: Norton Simon Foundation with Yale University Press, 2006, p. 298, fig. 80b, as Self Portrait.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 182; vol. 2, p. 127, as Portrait de l'artiste au papier peint olivâtre.
Reissner, Elisabeth. "Ways of Making: Practice and Innovation in Cézanne's Paintings in the National Gallery." National Gallery Technical Bulletin vol. 29 (2008), p. 4, pl. 2.
Cézanne, Philippe. "Paul Cézanne: L'homme." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 22, ill., as Portrait de l'artiste au papier peint olivâtre.
Machotka, Pavel. "I ritratti di Cézanne: il volto umano della grande pitura." In Cézanne: les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 85, fig. 53.
Colrat, Jean. Cézanne: Joindre les mains errantes de la nature. Paris-Sorbonne: PUPS, 2013, p. 205, pl. 92.
Simms, Matthew. "Cézanne, Painting, and Harmony." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, pp. 135 and 136, fig. 83.
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 59.
Salmon, Dimitri. Le "Saint Joseph charpentier" de Georges de La Tour: un don au Louvre de Percy Moore Turner. Gand: Snoeck, 2018, p. 462.
Salmon, Dimitri. Percy Moore Turner, Précieux conseiller de Samuel & Elizabeth Courtauld. Paris: Fondation Louis Vuitton, 2019, annex list, no. 25, ill.
Serres, Karen (ed.). The Courtauld Collection, A Vision of Impressionism. Paris and London: Fondation Louis Vuitton and Paul Holberton Publishing, 2019. Exhibition catalogue (2019 Paris), p. 6, fig. 6.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 225, ill., as Portrait de Cezanne or Paul Cezanne chauve (installation photograph from1914 exhibition, p. 102).
Record last updated May 25, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Portrait de l'artiste au papier peint olivâtre, 1880–81 (FWN 462)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=471 (accessed on November 25, 2024).
