The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 830
Bouteilles et pêches
c.1890
Alternate titles: Bottles and Peaches; Bouteilles et Peches; Bouteilles et pommes; Flesschen en vruchten; Stilleven met flesch en appelen
Rewald (679): c.1890; Venturi revised: c.1895; Venturi (604): 1890–94; Vollard: 1886–88; Cooper: 1886–88; Gowing: c.1891 (Edinburgh)
Oil on canvas
19 5/16 x 20 1/16 in. (49 x 51 cm)
Provenance
Exhibition History
Moderne Kunstkring, Stedelijk Museum, Amsterdam, Internationale tentoonstelling van moderne kunst, October 6–November 5, 1911, no number, Hoogendijk collection.
Stedelijk Museum, Amsterdam, Vincent van Gogh en zijn tijdgenooten, September 6–November 2, 1930, no. 131, as Stilleven met flesch en appelen, lent by van Blaaderen, Amsterdam.
Kunsthandel J. Goudstikker, Amsterdam, Het stilleven, ten bate van de Vereeniging "Rembrandt", February 18–March 18, 1933, no. 46, as Flesschen en vruchten, lent by Private collection, Netherlands.
Stedelijk Museum, Amsterdam, Van Gogh's grote tijdgenoten, Summer 1953, no. 6, ill., as Bouteilles et pommes, 1890/94. Traveled to: Rijksmuseum Kröller-Müller, Otterlo, the Netherlands, Summer 1953.
Royal Scottish Academy, Edinburgh, United Kingdom, Paintings by Cézanne, August 20–September 18, 1954, no. 48, as Bouteilles et pêches, c. 1891, lent by the Stedelijk Museum, Amsterdam. Traveled to: Tate Gallery, London, September 29–October 27, 1954.
Haus der Kunst, Munich, Paul Cézanne, October 12–November 18, 1956, no. 52, ill. lent by Stedelijk.
Wallraf-Richartz-Museum, (Kunsthaus Lempertz), Cologne, Cézanne, Ausstellung zum Gedenken an sein 50. Todesjahr, December 1956–January 1957, no. 23, ill. lent by Stedelijk.
Stedelijk Museum, Amsterdam, De Renaissance der XXe Eeuw, July 4–September 24, 1958, no. 4, ill.
Österreichische Galerie, Belvedere, Vienna, Paul Cézanne, April 14–June 18, 1961, no. 31, pl. 24.
Stedelijk Museum, Amsterdam, Polarität, May 31–July 16, 1961, A27, ill.
Städtische Kunsthalle, Recklinghausen, Germany, Polarität, June 2–July 16, 1961, A100, ill.
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 54, ill., as Bouteilles et pêches. Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
Louisiana Museum of Art, Humlebæk, Denmark, Cézanne & Giacometti: Paths of Doubt, February 20–June 29, 2008, no. 35, ill. p. 61, as Bouteilles et pêches, lent by Stedelijk Museum.
Museo Thyssen-Bornemisza, Madrid, Cézanne: site / non-site, February 4–May 18, 2014, no. 34, ill.
Stedelijk Museum, Amsterdam, The Oasis of Matisse, March 27, 2012–August 16, 2015, no. 5, ill. in color, ill. p. 59, as Bouteilles et pêches.
Published References
Huebner, Friedrich Markus. Moderne Kunst in den Privatsammlungen Europas, vol. I. Amsterdam: Klinkhardt & Biermann, 1921, p. 60, ill.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 604, ill. vol. II, as Bouteilles et pommes.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 9, ill.
Henkels, Herbert. "Cézanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam: De collectie van Cornelis Hoogendijk (1866–1911)." Bulletin van het Rijksmuseum 41, nos. 3–4 (1993), fig. 171.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 679, ill. vol. 2, as Bouteilles et pêches.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 286; vol. 2, p. 183, as Bouteilles et pêches.
Janssen, Hans. "'Wanneer men het inner lijke beeldt…!' Mondriaan en de invloed van Picasso en Cézanne op zijn werk." In Cézanne, Picasso, Mondriaan: in nieuw perspectief. Zwolle: Waanders, 2009. Exhibition catalogue, fig. 25, as Bouteilles et pêches.
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 75.
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 216, fig. 1, as Bottles and Peaches.
Rikhof, Maalke. "Symbolist, Post-Impressionist, Cubist, Traditonalist, The Reception of Paul Cézanne in the Netherlands, 1890–1930." In Van Gogh, Cézanne, Le Fauconnier and the Bergen School. Zwolle: Stedelijk Museum and Waanders, 2023. Exhibition catalogue, fig. 36.
Notes
The plaster cast of the flayed man (écorché) after Michelangelo is barely visible at lower left.
Related work
Record last updated November 5, 2019. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Bouteilles et pêches, c.1890 (FWN 830)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=658 (accessed on April 24, 2024).
