The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
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© The Barnes Foundation, Merion, Pennsylvania, USA/ The Bridgeman Art Library
FWN 484
Madame Cezanne au chapeau vert
1891–92
Alternate titles: Bildnis der Frau Cézanne mit grünem Hut; Frau Cézanne; La Dame au chapeau vert; Madame Cézanne; Madame Cézanne with a Green Hat; Madame Cézanne with Green Hat; Portrait de femme
Rewald (700): 1891–92; Venturi revised: 1883–86; Venturi (704): 1894–95; Vollard: 1888; Other: van Buren: 1889–90
Oil on canvas
39 1/2 x 32 in. (100.3 x 81.3 cm)
Vollard A stockbook: no. 4174, [femme au chapeau vert]
Vollard B stockbook: no. 4113, Portrait de Mme Cezanne, 100 x 81 cm (2500 frs)
Vollard archives: photo no. 189, Annotated by Cezanne's son: 1892
Provenance
Exhibition History
Galerie Vollard, Paris, Paul Cézanne, November 11–December 15, 1895.
Salon d'Automne, Grand Palais, Paris, Salle Cézanne, October 15–November 15, 1904, no. 2, as La Dame au chapeau vert, lent by Vollard.
Manzi, Joyant & Cie, l'Hôtel de la revue "Les Arts," Paris, Exposition d'art moderne, June 6–July 6, 1912, no. 10, as Portrait de femme.
National Gallery of Art, Washington, D.C., Great French Paintings from the Barnes Foundation, May 2–August 15, 1993, no number, pp. 140–43, ill. p. 141. Traveled to: Musèe d'Orsay, Paris, November 6, 1993–January 2, 1994; National Museum of Western Art, Tokyo, January 21–April 3, 1994; Kimbell Art Museum, Forth Worth, Texas, April 24–August 16, 1994; Art Gallery of Ontario, Toronto, September 17–December 31, 1994; Philadelphia Museum of Art, Philadelphia, January 29–April 1995; Haus der Kunst, Munich, June 23–October 22, 1995.
Published References
Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, pls. 29 and 45, as Madame Cezanne au chapeau vert.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 165.
Vollard, Ambroise. Paul Cézanne. Munich: Kurt Wolfe Verlag, 1921, ill. opp. p. 73, as Bildnis der Frau Cézanne mit grünem Hut, dated 1883.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 198.
Vollard, Ambroise. Paul Cézanne: His Life and Art. Translated by Harold L. van Doren. New York: Nicholas Brown, 1923, ill. opp. p. 160.
Watson, Forbes. "The Barnes Foundation, Part I." The Arts 3, no. 1 (January 1923), p. 15, ill.
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 103, as Frau Cézanne, 1888.
Barnes, Albert C., and Violette de Mazia. The Art of Henri-Matisse. New York: C. Scribner's Sons, 1933, 69n, 81n, 129n, 456.
Barnes, Albert C., and Violette de Mazia. The Art of Renoir. Merion, PA: The Barnes Foundation Press, 1935, pp. 219, 490.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 704, ill. vol. II, as Madame Cézanne.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 103, p. 230, ill. (analysis pp. 348–53).
Buren, Anne H. van. "Madame Cézanne's Fashions and the Dates of Her Portraits." Art Quarterly 29, no. 2 (1966), fig. 18.
De Mazia, Violette. "What to Look for in Art." The Barnes Foundation Journal of the Art Department 1, no. 2 (Autumn 1970), pl. 6.
Sweeney, James Johnson. "The Albert C. Barnes Collection." The Barnes Foundation Journal of the Art Department 3, no. 2 (Autumn 1972), p. 33, pl. 9.
De Mazia, Violette. "Creative Distortion IV: Portraiture II." The Barnes Foundation Journal of the Art Department 5, no. 1 (Spring 1974), pl. 26.
De Mazia, Violette. "Three Aspects of Art." The Barnes Foundation Journal of the Art Department 6, no. 2 (Autumn1975), pl. 67.
De Mazia, Violette. "E Pluribus Unum, Cont'd: Part IV." The Barnes Foundation Journal of the Art Department 8, no. 2 (Autumn 1977), pl. 64.
De Mazia, Violette. "Subject and Subject Matter: Part II." Vistas 2, no. 2, pl. 31.
De Mazia, Violette. "The Barnes Foundation: The Display of Its Art Collection." Vistas 2, no. 2 (1981–83), pl. 31.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, pp. 268, 343, fig. 124.
De Mazia, Violette. "The form of Seurat's 'The Models.'" Vistas 5, no. 1 (Spring-Summer 1990), pp. 9, 10–11, pl. 4.
Wattenmaker, Richard et al. Great French Paintings from The Barnes Foundation. New York: Alfred A. Knopf, 1993. Exhibition catalogue, p. 142, fig. 1.
Boardingham, Robert. "Cézanne and the 1904 Salon d 'Automne, 'Un chef d'une école nouvelle.'" Apollo (London) 142, no. 404 (October 1995), fig. 4 p. 34, as La Dame au chapeau vert, c. 1894-5.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 700, ill. vol. 2 and p. 41, ill. col. vol. 1, as Madame Cezanne au chapeau vert.
Feilchenfeldt, Walter. "Cézannes Gemälde: Formate und Themen, Echtheitsfragen." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 235, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 259; vol. 2, p. 171, as Madame Cezanne au chapeau vert.
Sidlauskas, Susan. Cézanne's Other: The Portraits of Hortense. Berkeley: University of California Press, 2009, pl. 16, fig. p. 104, 31 detail, as Madame Cezanne au chapeau vert, size: 100.3 x 81.3 cm.
Kremnitzer, Kathryn. "The Portraits of Hortense Fiquet, Madame Cézanne." In Madame Cézanne. New York: The Metropolitan Museum of Art, 2014. Exhibition catalogue, pp. 212–13, listed, p. 83, pl. 26, as Madame Cézanne with a Green Hat.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 227, fig. 68.
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 91.
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, no. 38, pp. 186–98, as Madame Cézanne with Green Hat (catalogue notes by C. Armstrong).
Shutova, Anya, and Barbara Buckley. "Materials and Techniques: A Study of Cézanne's Paintings in the Barnes Foundation." In Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, figs. 12a and 12b showing the graphite underdrawing.
Record last updated August 6, 2024. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Madame Cezanne au chapeau vert, 1891–92 (FWN 484)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=678 (accessed on December 21, 2024).
