The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 288
Le Pont sur la Marne à Créteil
c.1894
Alternate titles: Am Marneufer (Le pont de Créteil); Bord de la Marne; Brücke bei Puteaux; De oevers van de Marne; Die Brücke über die Marne in Créteil; Die Ufer der Marne; Flußlandschaft mit Brücke; Flusslandschaft; Gezicht op de Marne; La Marne; Landscape; Le pont; Le pont (la Marne à Créteil); Le Pont de Créteil; Le pont de Melun; Le pont sur la Marne, à Créteil; Les Bords de la Marne; Marnebrücke; Marnes Stränder; Pont de Puteaux; The Bridge at Melun
Rewald (729): c.1894; Venturi revised: c.1888; Cézanne fils: Alfort 1888; Venturi (631): c.1888; Vollard: 1888
Oil on canvas
28 x 35 3/8 in. (71 x 90 cm)
Vollard A stockbook: no. 3469, huile; les bords de la Marne; au 1r plan de l'eau où se reflètent les paysages, arbres, pont, maisons; ciel blanc et bleu, 73 x 92 cm (350 frs)
Vollard X stockbook: no. 5041, Le Pont de chez Bernheim
Vollard archives: photo no. 396, Annotated by Cezanne's son: Marne 1888
Provenance
Exhibition History
Galerie Vollard, Paris, Paul Cézanne, November 11–December 15, 1895.
Institut français, Mansion of Yusupova (42 Liteiny Avenue), St. Petersburg, Russian Federation, [Exposition centennale de l'art français, 1812-1912], opening January 15, ?
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 74, pl. XXVI, as Le Pont de Créteil, lent by Moscow.
Palais National des Arts, Paris, Chefs-d'oeuvres de l'art français [World's Fair], June–October 1937, no. 254, as Le Pont de Créteil, lent by Moscow.
Pushkin Museum, Moscow, French Art from the Fifteenth to the Twentieth Century, 1955, p. 56.
Hermitage Museum, Leningrad, Russian Federation, Paul Cézanne: 50 Years since His Death, 1956, no. 13, ill.
Hermitage Museum, Leningrad, Russian Federation, French Art from the Twelfth to the Twentieth Century, 1956, p. 55.
Pushkin Museum, Moscow, French Art of the Second Half of the 19th Century: From the Stocks of Soviet Art Museums, 1960, no number, p. 34.
Mauritshuis, The Hague, the Netherlands, Vijf eeuwen schilderkunst: in het licht van Vermeer, June 25–September 5, 1966, no. 48, ill., as Gezicht op de Marne, c. 1888, lent by Baroness M. de Goldschmidt-Rothschild, Paris. Traveled to: Orangerie, Paris, September 24–November 28, 1966 (Cinq siècles de peinture: dans la lumière de Vermeer).
Orangerie, Paris, Cinq siècles de peinture: dans la lumière de Vermeer, September 24–November 28, 1966, no. 50, ill., as Le Pont sur la Marne à Créteil, c. 1888, lent by Baroness M. de Goldschmidt-Rothschild, Paris.
Hermitage Museum, Leningrad, Russian Federation, [Impressionist paintings on the occasion of the 100th anniversary of the first exhibition in 1874], 1974, no. 50, ill. 1888.
Museo Correr alla Napoleonica, Venice, Italy, Cézanne, Monet, Renoir, Gauguin, van Gogh, Matisse, Picasso: 42 capolavori dai musei sovietici., February 23–April 14, 1985, no. 3. Traveled to: Musei Capitolini, Rome, April 23–June 10, 1985.
Museum Folkwang, Essen, Germany, Morozov and Shchukin: The Russian Collectors, June 25–October 31, 1993, no. 22, ill. Traveled to: Pushkin Museum, Moscow, November 30, 1993–January 30, 1994; Hermitage Museum, St. Petersburg, Russian Federation, February 16–April 16, 1994.
State Hermitage Museum, St. Petersburg, Russian Federation, Cézanne and the Russian Avant-Garde, August 9–September 24, 1998, no. 35, ill. Traveled to: Pushkin Museum of Fine Arts, Moscow, October 15–November 18, 1998 (exhibition catalogue in Russian; text by Albert Kostenevich).
Museum Folkwang, Essen, Germany, Cézanne: Aufbruch in die Moderne, September 18, 2004–January 16, 2005, listed p. 232, ill. p. 151, as Le Pont sur la Marne à Créteil.
Fondation Pierre Gianadda, Martigny, Switzerland, Paul Cézanne: le chant de la terre, June 16–November 19, 2017, no. 44, ill. lent by Pushkin Museum.
State Hermitage Museum, Mansion of Yusupova (42 Liteiny Avenue), St. Petersburg, Russian Federation, The Morosov Brothers: Great Russian Collectors, June 20–October 6, 2019, no. 29.
Fondation Louis Vuitton, Paris, La collection Morozov: icônes de l'art moderne, September 22, 2021–February 22, 2022, p. 490, ill. p. 272, as Le Pont sur la Marne à Créteil.
Published References
Natanson, Thadée. "Paul Cézanne." La Revue Blanche 9, no. 50 (December 1, 1895), p. 498.
Kozmutza, Ottilie de. "The Art of Paul Cézanne." Burr-McIntosh Monthly 15, no. 60 (March 1908), ill., as Landscape.
Tugendhold, Yakov. "Landscape in French Painting." Apollon, no. 7 (1911), ill. opp. p. 10.
Makovsky, Serguei. "[French artists in I. Morosov's collection, Moscow]." Apollon (St. Petersburg) 3, nos. 3–4 (March 1912), listed p. 23, as Le pont.
Royère, Jean. "Paul Cézanne, Erinnerungen." Kunst und Künstler 10, no. 10 (1912), ill. p. 480, as Flusslandschaft.
Borgmeyer, Charles Louis. The Master Impressionists. Chicago: The Fine Arts Press, 1913, p. 119, ill., as Le pont de Melun, Collection Vollard.
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1913, pl. 126, as Brücke bei Puteaux.
Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, pl. 25, as Les Bords de la Marne.
Stuart, Evelyn Marie. "Cézanne and His Place in Impressionism." Fine Arts Journal 35, no. 5 (May 1917), p. 333, ill., as The Bridge at Melun, "Collection Vollard".
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 177.
Fahraeus, Klas. "Paul Cézanne." Ord och Bild 4 (1919), p. 404, ill., as Marnes Stränder, dated 1888.
Vollard, Ambroise. Paul Cézanne. Munich: Kurt Wolfe Verlag, 1921, ill. opp. p. 152, as Die Ufer der Marne, dated 1888.
Friedländer, Max J. "Über Paul Cézanne." Die Kunst für Alle 38 (February 1922), ill. p. 141, as Marnebrücke, 1888.
Knapp, Fritz. Die künstlerische Kultur des Abendlandes. vol. III, Die malerische Problematik der Moderne: vom Klassizismus zum Expressionismus. Bonn: Schroeder, 1922, pp. 277-278, fig. 198, as Flußlandschaft mit Brücke.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 213.
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 217, listed, ill. opp. p. 130, as Le Pont de Créteil, dated 1888.
Ternovietz, Boris Nikolaevich. "Le Musée d'Art moderne de Moscou (Anciennes collections Stchoukine et Morosoff)." L'Amour de l'art 6, no. 12 (December 1925), p. 468, ill. p. 472, as Les Bords de la Marne.
Ettinger, Paul. "Die modernen Franzosen in den Kunstsammlungen Moskaus." Der Cicerone 18, no. 4 (1926), p. 111.
Rutter, Frank. Evolution in Modern Art. London: George G Harrap & Company Limited, 1926, pl. 7.
Salmon, André. "Cézanne et son 'Grappin' [Hommage à Paul Cézanne]." L'Art vivant (Paris), no. 37 (July 1, 1926), p. 488, ill., as Pont de Puteaux.
Chamot, Mary. Review of Cézanne, by Julius Meier-Graefe. Apollo (December 1927), p. 260, ill.
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 102, as Marnebrücke, 1888.
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. LXXVIII.
Scheffler, Karl. Europäische Kunst im 19. Jahrhundert. Berlin: B. Cassirer, 1927, p. 99.
Catalogue du Musée d'art occidental moderne. Moscow: Museum of Modern Western Art, 1928, no. 559.
Réau, Louis. "III: Musée d'art occidental moderne à Moscou." In Catalogue de l'art français dans les musées russes. Paris: A. Colin, 1929, no. 741.
Becker, John. "The Museum of Modern Western Painting in Moscow—Part I." Creative Art 10 (March 1932), p. 192, ill.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 131, ill.
Olmenhove, van den. "Kunst: Paul Cézanne." Verf en kunst: maandblad van P. A. Regnault's verf-, inkt- en blikfabrieken (Surabaya) 4, no.10, no.11, no.12 (1935), ill. p. 9 (no.10), as De oevers van de Marne, 1888.
Benesch, Otto. "Cézanne: zur 30. Wiederkehr seines Todestages am 22. Oktober." Die Kunst für Alle 52, no. 3 (December 1936), ill. p. 64, as Die Brücke über die Marne in Créteil, c. 1888-90.
Guenne, Jacques. "Paul Cézanne et le drame de la peinture." L'Art vivant (Paris), no. 204 (1936), ill. p. [153].
Vergnet-Ruiz, Jean. "Cézanne et I'impressionnisme." La Renaissance (Paris), vol. 19, nos. 5-6 (May–June 1936), p. 19, ill., as Bord de la Marne.
Rewald, John. "Cézanne et son oeuvre." L'Art sacré: revue mensuelle, special number, Cézanne (May 1936), p. 8, fig. 14 p. 17, as La Marne.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 631, ill. vol. II, as Le pont sur la Marne, à Créteil.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 104, p. 197, ill. (analysis pp. 354–55).
Huisman, Georges. Petite Histoire de l'art et des artistes. Paris: F. Nathan, 1940, p. 157, ill.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 137, ill.
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, col. pl. 59, as Le pont sur la Marne, à Créteil, 1893-95.
"L'Art moderne français dans…le Musée d'Art Moderne Occidentale." Cahiers d'Art (1950), no. 15, listed p. 338, as Les Bords de la Marne, 1888.
Venturi, Lionello. Impressionists and Symbolists: Manet, Degas, Monet, Pissarro, Sisley, Renoir, Cézanne, Seurat, Gauguin, Van Gogh, Toulouse-Lautrec. New York: Scribner, 1950, fig. 126.
Sterling, Charles. "Le pont de Mennecy par Cézanne." La Revue des arts (Paris) 5, no. 4 (December 1955), p. 198, ill.
Sterling, Charles. Musée de l'Ermitage: La Peinture française de Poussin à nos jours. Paris: Cercle d'art, 1957, pl. 98.
Balzer, Wolfgang. Der Französische Impressionismus: Die Hauptmeister in der Malerei. Dresden: Verlag der Kunst, 1958, no. 111, ill., as Am Marneufer (Le pont de Créteil), c. 1888-1890.
Sterling, Charles. Great French Painting in the Hermitage Museum, Leningrad. New York: Abrams, 1958, pl. 99.
Ligocki, Alfred. Cézanne: U źródeł rewolucji w plastyce. Warsaw: Arkady, 1960, p. 32, ill.
Feist, Peter Heinz. "Harmonie Parallel zur Natur, zur Malerei Paul Cezannes." Bildende Kunst 1 (1962), p. 21, ill.
Reidemeister, Leopold. Auf den Spuren der Maler der Ile de France. Berlin: Propyläen Verlag, 1963, p. 161, ill.
Sedova, Tat'jana Alekseevna. From Manet to Picasso. Moscow: Izdatelʹstvo Izobrazitelʹnoe Iskusstvo, 1974, no. 27, ill.
Kuznetsova, Irina Aleksandrovna, and Evgenia Georgievskaia. French Painting from the Pushkin Museum: 17th to 20th Century. Leningrad: Aurora, 1979, no. 179, ill.
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, pp. 135-136, pl. 22-24.
Bessonova, Marina, and William Williams. Impressionism and Post-Impressionism: The Hermitage, Leningrad, The Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington. New York: Park Lane, 1986, pp. 172–73, ill.
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 111, ill. in color.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 228, ill.
Machotka, Pavel. Cézanne: Landscape into Art. New Haven: Yale University Press, 1996, p. 73, fig. 41, with photograph of motif, p. 72, fig. 40, as Le Pont sur la Marne à Créteil , dated 1888.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 729, ill. vol. 2, as Le Pont sur la Marne à Créteil .
Dittmann, Lorenz. "Cézanne un der Cézanneismus der Künstlergruppe 'Karo-Bube.'" In Die russische Avantgarde und Paul Cézanne. Bönen: Kettler, 2002. Exhibition catalogue, p. 54, fig. 9.
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, pp. 132–33, ill., as Le Pont sur la Marne à Créteil .
Coutagne, Denis, and Raymond Hurtu. "Paysages des années 1888–1905." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 139, fig. 68, as Le Pont sur la Marne à Créteil .
Mothe, Alain. Ce que voyait Cézanne: Les paysages impressionnistes à la lumière des cartes postales. Paris: Éditions de la Rmn-Grand Palais, 2011, pp. 116–17, ill., as Le Pont sur la Marne à Créteil , with old postcard view of bridge.
Société Paul Cézanne. P. Cézanne: À Paris et en Île de France. ed., Denis Coutagne. Marseille: Éditions Crès, 2011, p. 101, ill., as Le Pont sur la Marne à Créteil , with photo of motif by Machotka (p. 100).
Coutagne, Denis. "Il paesaggio in Cézanne." In Cézanne: Les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 57, fig. 34.
Machotka, Pavel. Cézanne: Landscape into Art. Prague: Arbor Vitae, 2014, p. 141, fig. 49a, with color photo of motif, p. 143, fig. 49b, as Le Pont sur la Marne à Créteil .
Cézanne: Pioneer of Modern Art. Kanagawa: Pola Museum of Art, Pola Art Foundation, 2015. Exhibition catalogue, p. 94, fig. 18.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 149, ill., as Le pont (la Marne à Créteil).
Baldassari, Anne, ed. La collection Morozov: icônes de l'art moderne. Paris: Editions Gallimard and Fondation Louis Vuitton, 2021. Exhibition catalogue, p. 490 (listed), ill. p. 272.
Chédeville, François, and Raymond Hurtu. "Cezanne sur les bords de Marne." Société Cezanne, August 2021, figs. 287 and 413, 1892–94.
Record last updated October 4, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Le Pont sur la Marne à Créteil, c.1894 (FWN 288)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=707 (accessed on April 25, 2024).
