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Catalogue entry

FWN 871

Pommes et oranges

c.1899

Alternate titles: Apples and Oranges; Naturaleza muerta; Nature morte; Plis de nappe; Pommes et Oranges; Pommes, oranges et tapisseries (Louvre); Still Life with Apples and Oranges; Still Life: Apples and Oranges; Stilleben mit Äpfeln und Orangen

Rewald (847): c.1899; Venturi revised: 1900–1905; Venturi (732): 1895–1900; Gowing: Paris, autumn 1898 and autumn 1899; Reff: c.1896 (MOMA)

Oil on canvas

29 1/8 x 36 5/8 in. (74 x 93 cm)

Musée d'Orsay, Paris (RF 1972)

Keywords

Still-life objects
Edibles and Flowers:
- apple(s) / pomme(s) »
- orange »
Still-life objects
Dishes and Vessels:
- fruit-dish / compotier »
- pitcher (flowered) / pichet fleuri »
- pitcher / pichet »
- plate / assiette »
Still-life objects
Miscellaneous:
- white cloth / nappe blanche »
Interiors
Furnishings:
- curtain / rideau »
- fabric / blue brown foliage »
- fabric / green and rust pattern and floral »
- fabric, patterned »
- table (or wooden surface) »
- tissu floral / fabric, flowered »

Catalogue Entry
Additional Materials
Sketchbook

Provenance

Gustave Geffroy, Paris

Galerie Bernheim-Jeune, Paris (January 1907)

Count Isaac de Camondo, Paris (bought May 4, 1907; bequeathed to the Louvre in 1908);

Musée du Louvre, Paris (1911, Bequest of Isaac de Camondo; exhibited from 1914 on);

Musée du Louvre, galerie du Jeu de Paume, Paris (1947-1986);

Musée d'Orsay, Paris (1986)

Exhibition History

1936c Paris

Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 96, as Pommes et oranges, lent by Louvre, Camondo.

1952 Chicago and traveling

The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 88, ill. lent by Louvre. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.

1954 Paris

Orangerie, Paris, Hommage à Cézanne, July 2–October 17, 1954, no. 62, lent by Musée du Louvre.

1955a New York

The Museum of Modern Art, New York, 15 Paintings by French Masters of the Nineteenth Century: lent by the Louvre and the Museums of Albi and Lyon, February 25–April 24, 1955, p. 21, ill., as Still Life: Apples and Oranges, 1895-1900, lent by Musée du Louvre, Paris.

1974b Paris

Orangerie, Paris, Cézanne dans les musées nationaux, July 19–October 14, 1974, extended until October 28, no. 46, ill. in color, as Pommes et oranges.

1977–78 New York and traveling

The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 28, pl. 139. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).

1978a Paris

Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 22, ill.

1995–96 Paris and traveling

Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 181, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.

1997 Taipei

National Museum of History, Taipei, Taiwan, L’Age d’or de l’impressionnisme: chefs d’œuvre du musée d’Orsay, January 15–April 27, 1997, ill. p. 233, text pp. 320-321 (French).

1997 Kaohsiung

Museum of Fine Arts, Kaohsiung, Taiwan, L’Age d’or de l’impressionnisme: chefs d’œuvre du musée d’Orsay, May 1997, ill. p. 87, text p. 127 and p. 152 (French), as Pommes et oranges.

1999–2000 Yokohama and traveling

Yokohama Museum of Art, Yokohama, Japan, Cézanne and Japan, September 11–December 19, 1999, no. 91, ill., as Pommes et oranges. Traveled to: Aichi Prefectural Museum of Art, Nagoya, Japan, January 5–March 12, 2000.

2002–03 Atlanta and traveling

High Museum of Art, Atlanta, Paris in the Age of Impressionism: Masterworks from the Musée d'Orsay, November 23, 2002–March 16, 2003, listed p. 162, ill. p. 151, as Apples and Oranges, c. 1895-1900. Traveled to: Museum of Fine Arts, Houston, April 6–June 29, 2003.

2004 Melbourne

National Gallery of Victoria, Melbourne, Australia, The Impressionists: Masterpieces from the Musée d'Orsay, June 17–September 26, 2004, n. no., pp. 126-126, 213, ill., as Pommes et oranges.

2006 Moscow

The State Tretyakov Gallery, Moscow, Шедевры Музея Орсе [Chefs-d'oeuvre du musée d'Orsay pour le 150e anniversaire de la galerie Tretyakov], April 25–June 30, 2006, p. 90, ill. p. 91, as Pommes et oranges.

2007–08 Atlanta and traveling

High Museum of Art, Atlanta, Inspiring Impressionism: The Impressionists and the Art of the Past, October 16, 2007–January 13, 2008, no. 17, ill. p. 192, as Still Life with Apples and Oranges, c. 1895-1900, shown in Denver and Seattle only. Traveled to: Art Museum, Denver, February 23–May 25, 2008; Art Museum, Seattle, June 15–September 21, 2008.

2012 Tokyo

National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 83, ill.

2013 Madrid

Fundación Cultural MAPFRE, Madrid, Impresionistas y postimpresionistas: el nacimiento del arte moderno, February 2–May 5, 2013, no. 29, ill., as Pommes et oranges.

2022–23 Chicago and traveling

The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 76, ill. shown in Chicago only. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.

2022–23 Abu Dhabi

Louvre Abu Dhabi, Abu Dhabi, United Arab Emirates, Impressionnisme: la modernité, October 12, 2022–February 5, 2023, no. 141, ill., as Pommes et oranges.

Published References

Wright 1916a

Wright, Willard Huntington. "Paul Cézanne, The Misanthropic Don Quixote of Modern Art." Current Opinion 60 (February 1916).

Meier-Graefe 1918a

Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 196.

Maestri Moderni 1920

Maestri Moderni. I, Cézanne. Rome: La Voce, 1920, ill.

Meier-Graefe 1922

Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 238.

Vitry et al. 1922

Paul Vitry, Carle Dreyfus, Paul Leprieur... [et al.]. Catalogue de la Collection Isaac de Camondo. Paris: Musée national du Louvre, 1922, no. 155, as Pommes et oranges, c. 1892.

Le Bulletin de la vie artistique 1923

"Paroles." Le Bulletin de la vie artistique 4, no. 14 (July 15, 1923), ill. p. 302.

Salmon 1923

Salmon, André. Cézanne. Paris: Librairie Stock, 1923, pl. 13.

Brière 1924

Brière, Gaston. Musée National du Louvre: catalogue des peintures exposées dans les galeries. I, école française. Paris: Musées Nationaux, Palais du Louvre, 1924, p. 25, no. CA. 155, as Pommes et oranges, c. 1892.

Lehel 1926

Lehel, Ferenc. Nôtre Art dément: quatre études sur l'art pathologique. Paris: Jonquières, 1926, ill. p. 97, as Plis de nappe.

Rutter 1926

Rutter, Frank. Evolution in Modern Art. London: George G Harrap & Company Limited, 1926, pl. 6.

Faure 1926b

Faure, Élie. Histoire de l'Art. Paris: G. Crès, 1926, pl. 95.

Schwabacher 1927

Schwabacher, Sascha. "Die Impressionisten der Sammlung Camondo im Louvre." Der Cicerone 19, no. 12 (1927), p. 376.

Meier-Graefe 1927a

Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XCVIII.

Gasquet 1928

Gasquet, Joachim. Cézanne: 24 phototypies. Paris: Librairie de France, [1928], [pl. 23], as Nature morte.

Bertram 1929

Bertram, Anthony. Cézanne. London: Studio, 1929, pl. 20.

Jamot 1929a

Jamot, Paul. "Ecole française: XIXe siècle - 3e partie." In La peinture au musée du Louvre I, Ecole française. Paris: L'Illustration, 1929, p. 78, pl. 60, as Pommes et oranges.

Waldmann 1930b

Waldmann, Emil. Paul Cézanne: Acht farbige Gemälde. Leipzig: E.A. Seemann, 1930, pl. 2.

Neugass 1931b

Neugass, Fritz. "Paul Cézanne: zu seinem 25. Todestag am 22. Oktober 1931." Deutsche Kunst und Dekoration 69 (October 1931–March 1932), p. 137, ill.

Rivière 1933

Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 159, ill.

Mack 1935

Mack, Gerstle. Paul Cézanne. New York: Alfred A. Knopf, 1935, fig. 32.

Iavorskaia 1935a

Iavorskaia, Nina. Cézanne. Moscow: Ogiz-Izogiz, 1935, pl. 37.

Besson 1936

Besson, George (introduction). "Paul Cézanne: 1839–1906." Estampes. Paris: Braun & Cie, August 1936 (no. 4), no. 100271 p. 15 (portfolio of 10 color plates).

Di San Lazzaro 1936

Di San Lazzaro, Gualtieri. Paul Cézanne. Paris: Chroniques du Jour, 1936, pl. 1.

L'Art sacré 1936

L'Art sacré: revue mensuelle. Special number, Cézanne. Paris, May 1936, fig. 21 p. 22, as Nature morte.

Raynal 1936

Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. XCII p. 125.

D'Ors 1936a

Ors, Eugenio d.' Paul Cézanne. New York: E. Weyhe, 1936, p. 8, ill.

Venturi 1936b

Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 391, ill. vol. II, as Pommes et Oranges.

Huyghe 1936d

Huyghe, René. Cézanne. Paris: Plon, Éditions d'Art et d'Histoire, 1936, pl. 30.

Novotny 1937

Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 77.

Barnes and de Mazia 1939

Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 159, p. 247, ill. (analysis p. 389).

Cogniat 1939a

Cogniat, Raymond. Cézanne. Paris: Pierre Tisné, 1939, pl. 98.

Rivière 1942

Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 147, ill.

Schildt 1946

Schildt, Göran. Cézanne. Stockholm: Wahlström & Widstrand, 1946, fig. 51.

Adhémar et al. 1947

Adhémar, Hélène et al. Catalogue des peintures et sculptures exposées au Musée de l’Impressionnisme (Jeu de Paume des Tuileries): les impressionnistes, leurs précurseurs et leurs contemporains. Paris: Editions des Musées Nationaux, 1947, pp. 26-27, no. 40, as Pommes et Oranges, c. 1895-1900.

Bazin 1947

Bazin, Germain. L'Epoque impressionniste. Paris: P. Tisné, 1947, pl. 66, as Pommes et oranges, 1895-1900.

Novotny 1947

Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 81, as Pommes et oranges, 1895-1900.

Dorival 1948

Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 153, listed p. 171.

Storey 1952

Storey, Benjamin. "Retrospettiva Cézanne." Emporium 115, no. 689 (May 1952), p. 204, ill.

Schapiro 1952a

Schapiro, Meyer. Cézanne. New York: Harry N. Abrams, 1952, pp. 102–03, ill.

Beucken 1955

Beucken, Jean de. Un portrait de Cézanne. Paris: Gallimard, [1955], p. 237.

Adhémar 1958

Adhémar, Hélène. Catalogue des peintures, pastels, sculptures impressionnistes du Musée du Louvre. Paris: Editions des Musées Nationaux, 1958, p. 27, no. 52.

Bazin 1958

Bazin, Germain. Trésors de l'impressionnisme au Louvre. Paris: A. Somogy, 1958, ill. p. 275, c. 1895-1900.

Biederman 1958

Biederman, Charles. The New Cézanne. Winona, MN: Leicht Press, 1958, pl. 7.

Sterling and Adhémar 1958

Sterling, Charles, and Hélène Adhémar. La Peinture au Musée du Louvre, vol. I. Paris: Éditions des Musées Nationaux, 1958, fig. 269.

Perruchot 1961

Perruchot, Henri. Dix Grands Peintres. Paris: Gauthier-Languereau, 1961, p. 142.

Sylvester 1962

Sylvester, David. "'Still Life with Teapot,' by Cézanne." The Listener (London) (January 18, 1962), ill.

Feist 1963

Feist, Peter Heinz. Paul Cézanne. Leipzig: E.A. Seemann, 1963, pp. 34, 48, 50, pl. 83.

Haftmann 1965b

Haftmann, Werner. Malerei im 20. Jahrhundert: eine Bild-Enzyklopädie. Munich: Prestel, 1965, listed p. 405, fig. 6 p. 21, as Stilleben mit Äpfeln und Orangen, 1895-1900.

Murphy 1968

Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 135.

Ikegami 1969

Ikegami, Chuji. Cézanne. Tokyo: Shueisha, 1969, pl. 52.

Brion 1971

Brion, Marcel. Cézanne. Milan: Fratelli Fabbri, 1971, ill. p. 17.

Huyghe 1971

Huyghe, René. Impressionism. London: Bracken Books, 1971, p. 259, ill.

Adhémar et al. 1973

Adhémar, Hélène, and Anne Dayez. Musée du Jeu de Paume. Paris: Editions des Musées Nationaux, 1973, listed p. 141, ill. p. 21 in color and p. 23, as Pommes et oranges, c. 1895-1900.

Erpel 1973

Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1973, no. 21.

Schapiro 1973

Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 41, with comments.

Elgar 1975

Elgar, Frank. Cézanne. New York: Praeger, 1975, fig. 132.

Wadley 1975

Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1975, pl. 102.

Ponente 1980

Ponente, Nello. Paul Cézanne. Bologna: Capitol, 1980, pl. 28.

Plazy 1981

Plazy, Gilles. Cézanne. Fribourg: Editions Medea, 1981, p. 81.

Ponente 1981

Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Colli: pl. 7.

Thomson 1983

Thomson, Belinda. The Post-Impressionists. London: Phaidon Press, 1983, pl. 124.

Barskaya 1983a

Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 144.

Serraller 1984

Serraller, Francisco Calvo. "Imagenes de lo insignificante: una aproximación del arte de vanguardia." Fragmentos (Madrid), no. 1 (1984), ill. p. 65, as Naturaleza muerta.

Wetzel 1984

Wetzel, Christoph. Paul Cézanne: Leben u. Werk. Stuttgart/Zurich: Belser, 1984, p. 66/67, ill. in color.

Compin et al. 1986

Compin, Isabelle et Anne Roquebert. Catalogue sommaire illustré des peintures du musée du Louvre et du musée d'Orsay. 3, École Française, A-K. Paris: Réunion des musées nationaux, 1986, p. 112, ill., as Pommes et oranges, c. 1895-1900.

Laclotte, Lacambre, Distel et al. 1986

Laclotte, Michel, Genviève Lacambre, Anne Distel, et al. La Peinture au Musée d'Orsay. Paris: Editions Scala, 1986, p. 93, ill.

Erpel 1988

Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1988, no. 31.

Lévêque 1988

Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 190, ill. in color.

Plazy 1988

Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 138, ill. in color.

Düchting 1989

Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 192, ill.

Rewald 1989

Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 239, fig. 119.

Wadley 1989

Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1989, p. 122, ill. in color.

Verdi 1992

Verdi, Richard. Cézanne. London and New York: Thames & Hudson, 1992, p. 192, fig. 172.

Baron and Bonafoux 1993

Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 51, ill.

Kitschen 1995

Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 58.

Sollers 1995

Sollers, Philippe. Le Paradis de Cézanne. Paris: Gallimard, 1995, p. 112, ill.

Cachin and Buhart 1995b

Cachin, Françoise and Laure Buhart. "Cézanne: 'un sujet intimidant …'" Dossier de l'art (Dijon), no. 25 (September - October 1995), ill. p. 6-7.

Cahn 1995b

Cahn, Isabelle. Paul Cézanne. Paris: Somogy Editions d'Art, 1995, p. 71, ill.

Rewald 1996

Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 847, ill. vol. 2, as Pommes et Oranges.

Shone 1996

Shone, Richard. "London: Cezanne." The Burlington Magazine 138, no. 1118 (May 1996), fig. 38 p. 340, as Apples and Oranges.

Smith 1996

Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 55, fig. 44, as Apples and Oranges.

Schmidt 1998

Schmidt, Katharina. "Cézannes letztes Stilleben." In Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue, fig. 3.

Buberl 2000

Buberl, Brigitte. "Cézanne Manet Schuch. Ein (un)zulässiger Vergleich." In Cézanne Manet Schuch: drei Wege zur autonomen Kunst. Munich: Hirmer, 2000. Exhibition catalogue, fig. 2.

Freudenberg 2001

Freudenberg, Inken. Der Zweifler Cézanne. Heidelberg: Kehrer Verlag Heidelberg, 2001, pl. 53 (detail).

Giles and Armstrong 2002

Giles, Laura, and Carol Armstrong, eds. Cézanne in Focus, Watercolors from The Henry and Rose Pearlman Collection. Pricneton, N.J.: Princeton University Art Museum, 2002. Exhibition catalogue, p. 131, fig. 3.

Nin 2002

Nin, Núria. "Memories of Objects, Objects of Memory." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 6, ill. in color.

Armstrong 2004

Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue, p. 52, fig. 21, as Still Life with Apples and Oranges, c. 1895-1900.

Feilchenfeldt 2005b

Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 169, ill.

Machotka 2008

Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 389; vol. 2, p. 246, as Pommes et oranges.

Rishel 2009

Rishel, Joseph J. "Cézanne and Hartley: On Sacred Ground." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 159, ill., as Apples and Oranges.

Chiappini 2011

Chiappini, Rudy. "Quel silenzio, in attesa del tempo della rivelazione." In Cézanne: Les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 37, fig. 20.

Freudenberg 2012

Freudenberg, Inken. "'And the picture, once left, torments us and pursues us': Cézanne and Delacroix." In Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012. Exhibition catalogue, p. 58, fig. 27, p. 59 (detail), as Apples and Oranges.

Chiappini 2013

Chiappini, Rudy. "I temi prediletti del padre della modernità." In Cézanne e gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue, p. 28, fig. 1.

Gottlieb 2013

Gottlieb, Lennart. Modernism: Reinventing Painting, 1908–41. Aarhus: ARoS Aarhus Kunstmuseum, 2012. Exhibition catalogue, p. 114, fig. 80.

Smith 2014

Smith, Paul. "Cézanne's Color Lab: Not-So-Still-Life." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue, p. 106, fig. 5, as Apples and Oranges.

Inaga, Shigemi 2015

Inaga, Shigemi. "Between Revolutionary and Oriental Sage: Paul Cézanne in Japan." Japan review: Journal of the International Research Center for Japanese Studies 28 (2015:), p. 163, fig. 25.

Stuffmann 2017

Stuffmann, Margret. "Hidden Propensities, Cézanne and Delacroix." In Cézanne Metamorphoses. Munich and Karlsruhe: Prestel and Staatliche Kunsthalle Karlsruhe, 2017. Exhibition catalogue, fig. 10.

Elderfield, Morton, Rey 2017a

Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 77.

Armstrong 2018

Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 46, 1899.

Société Paul Cezanne 2019

Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 188 p. 194.

Dauberville 2020

Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 14, ill., as Pommes, oranges et tapisseries (Louvre).

Dombrowski, Ireson and Patry 2021

Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 226, fig. 2, as Apples and Oranges.

Nagaï 2022a

Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 30.

Nagaï 2023

Nagaï, Takanori. "La théorie d'art chez Cezanne dans sa corresopndance." Bulletin of Kyoto Institute of Technology (2023), fig. 11, as Pommes et oranges.

Record last updated January 18, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.

Citation: Société Paul Cezanne. "Pommes et oranges, c.1899 (FWN 871)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=822 (accessed on April 18, 2024).