The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 350
La Montagne Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol)
c.1904
Alternate titles: Hora Ste Victoire; La Montagne Sainte-Victoire; Le Mont Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol); Mont Saint-Victoire; Montagne Sainte-Victoire; Paysage, montagne Ste-Victoire
Rewald (900): c.1904; Venturi revised: 1890–95; Venturi (666): 1894–1900
Oil on canvas
28 13/16 x 36 1/4 in. (73.2 x 92.1 cm)
Vollard B stockbook: no. 4470, paysage. esquisse Ste. Victoire, 73 x 92 cm (2500/5000 frs)
Provenance
Exhibition History
Kunsthaus Zürich, Zurich, Französische Kunst des XIX. und XX. Jahrhunderts, October 5–November 14, 1917, no. 15, as Paysage, montagne Ste-Victoire, lent by A.K[ann].
S.V.U. Mánes, Municipal House, Prague, Francouzské umění XIX. a XX. století [French Art of the 19th–20th Centuries], May 26–June 1923, no. 148, as Hora Ste Victoire, lent by Galerie Barbazanges.
Reid & Lefevre, London, Important Pictures by 19th Century French Masters, May–June 1924, no number, ill., as Montagne Sainte-Victoire, 1883.
Reinhardt Galleries, New York, French Paintings, November 20–December 11, 1926, no. 1.
M. Goldschmidt & Co, Berlin, Impressionisten Sonderausstellung, February–March 1928, no. 3, ill.
Valentine Gallery, New York, Four Paintings by Cézanne, 1939, I, ill., as La Montagne Sainte-Victoire.
New York World's Fair, New York, Masterpieces of Art, May–October 1940, no. 343, as Mont Saint-Victoire, lent by Leonard C. Hanna, Jr, New York.
Paul Rosenberg, New York, A Loan Exhibition of Paintings by Cézanne (1839-1906) for the Benefit of Fighting France, November 19–December 19, 1942, no. 22, ill. lent by L.C. Hanna, Jr.
Wildenstein Galleries, New York, Cézanne, March 27–April 26, 1947, no. 57, lent by Leonard C. Hanna.
Society of the Four Arts, Palm Beach, Florida, The Post-Impressionists and Their Followers, February 4–27, 1949, no. 2, (dated c.1900), as La Montagne Sainte-Victoire, lent by Leonard C. Hanna.
Yale University Art Gallery, New Haven, Connecticut, French Paintings of the Latter Half of the the Nineteenth Century: from the Collections of Alumni and Friends of Yale, April 17–May 21, 1950, no. 1, ill., as La Montagne Sainte-Victoire, 1894-1900, lent by Mr. Leonard C. Hanna, Jr, '13.
Pavillon de Vendôme, Aix-en-Provence, France, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July 21–August 15, 1956, no. 62, ill. lent by Leonard C. Hanna.
Haus der Kunst, Munich, Paul Cézanne, October 12–November 18, 1956, no. 64, ill. lent by Hanna.
The Cleveland Museum of Art, Cleveland, Leonard C. Hannah, Jr., 1958, no. 5, ill.
Wildenstein Galleries, New York, Loan Exhibition: Cézanne, November 5–December 5, 1959, no. 42, ill. lent by Cleveland.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 45, pl. 119. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 92, ill.
Musée Granet, Aix-en-Provence, France, Sainte-Victoire: Cézanne, June 16–September 2, 1990, no. 38, fig. 66 and on cover.
National Gallery of Art, Washington, D.C., Cézanne in Provence, January 29–May 7, 2006, no. 83, ill. Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Museo Thyssen-Bornemisza, Madrid, Cézanne: site / non-site, February 4–May 18, 2014, no. 35, ill.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 121, ill. shown in London only. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Published References
Tatlock, R.R. "Lefevre Gallery: Works by French Masters." The Daily Telegraph (London), June 2, 1924, p. 14, as Montagne Sainte-Victoire.
Rewald, John, and Léo Marschutz. "Plastique et réalité: Cézanne au Château Noir." L'Amour de l'art 16, no. 1 (January 1935), p. 19, no. 2.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 666, ill. vol. II, as La Montagne Sainte-Victoire.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 55, as La Montagne Sainte-Victoire.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 2, fig. 1.
Venturi, Lionello. "Cézanne: Fighter for Freedom." Art News 41, no. 13 (November 15, 1942), p. 18, ill.
Loran, Erle. Cézanne's Composition. Berkeley: University of California Press, 1943, p. 99, ill. (with photograph of the motif, p. 98).
Rewald, John. "As Cézanne Recreated Nature." Art News 43, no. 1 (February 15, 1944), p. 10, ill., with photograph of motif.
Reff, Theodore. "A New Cézanne Exhibition." The Burlington Magazine 102, no. 684 (March 1960), p. 117.
Rewald, John. "Cézanne's Last Motifs at Aix." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 85, ill. (with photograph of the motif).
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 146.
Pickvance, Ronald, and Hideo Takumi. Cézanne. Tokyo: Tokyo Shimbun, 1986. Exhibition catalogue, p. 76, ill.
Coutagne, Denis. "Cézanne, tradition et modernité." In Sainte-Victoire: Cézanne. Aix-en-Provence: Musée Granet, 1990, p. 116, fig. 66.
Lartigue, Charles de. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, p. 148, ill.
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 162.
Machotka, Pavel. Cézanne: Landscape into Art. New Haven: Yale University Press, 1996, p. 145, fig. 138, with photographs of the motif, p. 144, figs. 136 and 137, as Le Mont Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol).
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 900, ill. vol. 2, as La Montagne Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol).
Keyes, George S. "Reconsideration of Late Variants of Cézanne's 'Theme of Mont Sainte-Victoire.'" Bulletin of the Detroit Institute of Arts vol. 77, no. 1/2 (2003), p. 36, fig. 5.
Société Paul Cézanne. P. Cézanne: Les sites provençaux. Edited by Pavel Machotka. Marseille: Editions Crès, 2005, p. 123, ill. with photos of motif (c. 1935 and c. 1976), p. 122, as La Montagne Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol).
Kitschen, Friederike. "Der liebe Gott der Malerei Cézanne in Deutschland nach den Kriegen." In In die Freiheit geworfen. Positionen zur deutsch-französischen Kunstgeschichte nach 1945, edited by Martin Schieder and Isabelle Ewig. Berlin: Akademie Verlag, 2006, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 329; vol. 2, p. 220, as La Montagne Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol).
Mothe, Alain. Ce que voyait Cézanne: Les paysages impressionnistes à la lumière des cartes postales. Paris: Éditions de la Rmn-Grand Palais, 2011, pp. 128–29, ill., as Le Mont Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol), with photograph of motif [present day?]
Novotny, Fritz. Paul Cézanne: Gesammelte Schriften zu seinem Werk und Materialien aus dem Nachlaß. Introduction by Gabriel Ramin Schor (editor), Agnes Blaha (assistance). Vienna: Klever, 2011, fig. 1.
Coutagne, Denis. Cézanne abstraction faite. Paris: Les Editions du Cerf, 2011, p. 178, fig. 120.
Machotka, Pavel. Cézanne: Landscape into Art. Prague: Arbor Vitae, 2014, p. 193, fig. 73c, with black and white and color photos of motif, p. 192, figs. 73 a and 73b, as La Montagne Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol).
Coutagne, Denis. "Chemin-Cezanne." In Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 24, fig. 6.
The Route du Tholonet with a parasol pine and la montagne Sainte-Victoire in the distance.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Photo: John Rewald, circa 1935; © Sabine Rewald
Site identified by Erle Loran.
Photo: Erle Loran; © Courtesy Pavel Machotka Archive
Site identified by Erle Loran.
Photo: Pavel Machotka, 1977; © Courtesy Pavel Machotka Archive
Related
Record last updated May 6, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Montagne Sainte-Victoire au-dessus de la route du Tholonet (avec pin parasol), c.1904 (FWN 350)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=874 (accessed on April 19, 2024).
