Catalogue entry

print this page
705
Pain et gigot d'agneau
c. 1865
Alternate titles: Brot und Hammelkeule; Hammelkeule mit Brot; Le Pain et le gigot
Rewald: (80) c.1865; Venturi: (65) 1865–67; Venturi revised: 1866–67; Cooper: (London) c.1866
Oil on canvas
10 5/8 x 14 in. (27 x 35.5 cm)

Keywords

Explore catalogue entries

decade: 1860–69 »
theme: Still life »

Exhibition History

1939d London: Wildenstein Galleries, Homage to Paul Cézanne, no. 4, lent by Kunsthaus Zürich.
1939b Paris: Société des Artistes Indépendants, Centenaire du peintre indépendant Paul Cézanne, no. 2, Le Pain et le gigot, lent by Musée Zürich.
1939–40 Lyon: Musée de Lyon, Palais Saint-Pierre, Centenaire de Paul Cézanne, no. 5, lent by Musée des Beaux-Arts, Zürich.
1943 Zürich: Kunsthaus, Ausländische Kunst in Zürich, no. 543, Brot und Hammelkeule, lent by Kunsthaus Zürich.
1953c Paris: Orangerie, Monticelli et le baroque provençal, no. 5, pl. XXVI, lent by Kunsthaus, Zürich.
1956 Munich: Haus der Kunst, Paul Cézanne, no. 1, ill, lent by Kunsthaus Zürich.
1956 The Hague: Gemeentemuseum, Paul Cézanne, no. 2.
1956 Zürich: Kunsthaus, Paul Cézanne, no. 2.
1956–57 Cologne: Wallraf-Richartz-Museum, Cézanne, Ausstellung zum Gedenken an sein 50. Todesjahr, no. 1, ill, lent by Kunsthaus Zürich.
1961 Aix-en-Provence: Pavillon de Vendôme, Exposition Cézanne: Tableaux, Aquarelles, Dessins, no. 3, pl. 1.
1961 Vienna: Belvedere, Paul Cézanne, no. 3, pl.1.
1988–89 London and traveling: Royal Academy of Arts, London, Cézanne: The Early Years, 1859–1872, no. 13, ill.
1996–97 Zurich: Kunsthaus, Von Claude Lorrain bis Giovanni Segantini, Gemäldeoberfläche und Bildwirkung, no. 21, pl. 12, Hammelkeule mit Brot, dated 1865–67.
2001–02 Bologna: Gallerie d'Arte Moderna, La natura della morta: Da Manet ai nostri giorni [English translation: The Nature of Still Life: From Manet to the Present Day], no. 4, ill.

Published References

Venturi 1936b: Cézanne: Son Art, Son Oeuvre, 2 vols., no. 65, ill. vol. 2, Pain et gigot d'agneau.
Elles 1958: Das Stilleben in der französischen Malerei des 19. Jahrhunderts, pp. 99–100.
Kunsthaus Zürich 1968: Aus der Sammlung, pl. 92.
Du 1989: "Das Tor zur Moderne. Paul Cézanne in schweizer Sammlungen," p. 87, ill.
Kitschen 1995: Cézanne: Stilleben, fig. 2.
Rewald 1996: The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols., no. 80, ill. vol. 2, Pain et gigot d'agneau.
Machotka 2008: Cézanne: The Eye and the Mind, 2 vols., vol. 1, fig. 64; vol. 2, p. 61, Pain et gigot d'agneau.
Machotka 2011a: "Des paysages du nord aux premiers pas du cubisme," p. 186, fig. 100, Pain et gigot d'agneau.

Remarks

Rewald suggests that Rembrandt's Flayed Ox (1655) may have inspired Cézanne; the painting entered the Louvre in 1857.

Rembrandt van Rijn, The Flayed Ox
Page citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Pain et gigot d'agneau, c. 1865 (cat. no. 705)." The Paintings of Paul Cézanne: An Online Catalogue Raisonné. http://cezannecatalogue.com/catalogue/entry.php?id=94 (accessed May 25, 2017).
Record last updated November 4, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.